It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 20, 2017, 06:23 AM
http://www.broadcastbeat.com/2017-nab-show-to-awar...
The 2017 National Association of Broadcasters Show this April in Las Vegas will award its 2017 Engineering Achievement Awards to a trio of engineers who are leaders in their fields. John Kean, former senior technologist at National Public Radio, and John Lyons, assistant vice president and director of broadcast communications at The Durst Organization, are the ...
March 20, 2017, 06:23 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
Technology previews are an opportunity for Autodesk customers to help shape the future of our technology. Based on the feedback that teams receive when they conduct a technology preview, one of three things happens: Graduation A technology graduates from Labs... (...)
March 19, 2017, 02:10 PM
http://designingsound.org/2017/03/sunday-sound-tho...
The thing about wisdom is that you can’t really ever receive it. You can read and watch everything there is to find about sound and come away with little more than good conversation. Lessons have to be learned personally, and experience only ever happens to you when you’re ready. So it is that I feel […]
March 19, 2017, 05:01 AM
http://lfhd.net/2017/03/18/performing-your-own-qc/
Whenever a show is delivered to a TV network, it is run through a process called “QC,” or “Quality Control.” Typically this is done on the network end, and if they spot any issues, like flash frames or audio hits or access luma (image is too “white,” IRE above 100) or temp footage…any number of […]
March 19, 2017, 05:01 AM
http://saeditores.org/Novedades/Convocatoria-a-ele...
El Consejo Directivo de la SAE resolvió el pasado 4 de marzo convocar a elecciones de autoridades estatutarias para el período 2017-2019. Los comicios se llevarán a cabo en ocasión de la Asamblea General Ordinaria que se celebrará el día sábado 29 de abril de 2017 a las 10:00 horas en la sede de SICA-APMA, sita en Juncal 2029, CABA.
March 18, 2017, 12:09 PM
http://lesterbanks.com/2017/03/slicing-effects-eff...
Track Mattes or Travelling Mattes in After Effects are great… for a few layers. What about if you have lots of layers that all need to reference the same matte? That can get messy. Of The Post Simplify Slicing Effects in After Effects With Set Matte originally appeared and published on %%BLOGLINK%,by lesterbanks
March 18, 2017, 12:09 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Dan Perri is as he describes himself: a filmmaker born and bred. Although credited primarily as a title designer over the course of his nearly five decade career, Perri’s contributions to cinema as a whole are undeniable. As a designer he has had a hand in some of the most iconic and important moments ever put to celluloid.A legend in the field of optical title design, Perri is perhaps best known for a creating the opening crawl that triumphantly heralded the arrival of Star Wars. It’s o...
March 17, 2017, 04:43 PM
http://www.avidblogs.com/avid-live-sound-and-studi...
The article Avid Live Sound and Studio Systems at Prolight + Sound 2017 by Derk Hagedorn appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
March 17, 2017, 04:43 PM
http://www.prosoundeffects.com/blog/the-subtle-pow...
Iranian director Asghar Farhadi made headlines when his film ‘The Salesman’ won the 2017 Academy Award for Best Foreign Language Film, but not simply for winning the award twice since 2012. Farhadi chose not to attend the Oscars ceremony in solidarity with those affected by the recent U.S. travel ban. Instead, Iranian-American engineer Anousheh Ansari ... The post The Subtle, Powerful Sound of Oscar Winner ‘The Salesman’ appeared first on Pro Sound Effects Library.
March 17, 2017, 01:59 PM
https://editstock.com/blogs/all/17923624-editstock...
Today we're proud to announce that we'll be supporting the Super Meet and CPUG by exhibiting! Come say hello to our crew, play with the footage, and possibly get some free stuff. Tickets are almost sold out so get them here today! The Super Meet is a chance to meet face to face with your entire Twitter feed. Finally say hello to your friends around the world. Get information on all the cutting edge technology reshaping our industry. Misha here - On a personal note the Super Meet has ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.