It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 15, 2017, 01:57 PM
http://www.cinemablend.com/news/1635829/how-frank-...
For being no more than a puppet and a voice, Yoda became one of the most popular characters in the Star Wars universe. However, that puppet was so beloved that when Yoda was transformed into a CGI character is the prequels, many fans cried foul. However, one person that apparently wasn't too upset was actually the guy who controlled the puppet. Frank Oz said that Yoda needed to serve the story, and the things that George Lucas wanted Yoda to do in this particular story simply couldn't have been ...
March 15, 2017, 01:57 PM
http://www.cartoonbrew.com/festivals/siggraph-some...
For years one of the highlights at the SIGGRAPH Conference on Computer Graphics and Interactive Techniques has always been the Computer Animation Festival. The Festival is a platform for the best in cg animated shorts, vfx breakdowns, commercials, and effects simulations.
March 15, 2017, 08:13 AM
http://www.premierebro.com/blog/make-the-cut-with-...
ADOBE'S MAKE THE CUT CONTEST PUTS YOU IN THE EDIT CHAIR OF IMAGINE DRAGONS' NEXT MUSIC VIDEO. Imagine this: YOU editing the next music video for Imagine Dragons. Now open your eyes and read on.
#adobe#premiere pro#contest#make the cut#imagine dragonsMarch 15, 2017, 05:15 AM
http://www.digitalproductionbuzz.com/2017/03/trans...
GUESTS Maxim Jago, Director, maximjago.com Max Votolato, Director / Producer / Editor / Researcher, Freeway City Films Richard Wright, Photographer, Winter Quarters Production Griffin Hammond, Documentary Filmmaker, www.hey.film Chris Sobchack, Co-head, Wraptastic Productions James DeRuvo, Film and Technology Reporter, DoddleNEWS The post Transcript: Digital Production Buzz- March 16, 2017 appeared first on Digital Production BuZZ.
March 15, 2017, 05:15 AM
http://edaeditores.org/se-realizo-el-encuentro-edi...
El sábado 11 de marzo se llevó a cabo el encuentro de socios y socias “Editores al sol”, en el predio camping “12 de agosto” en Moreno, Provincia de Buenos Aires, invitados por el Sindicato Argentino de Televisión, Servicios Audiovisuales, Interactivos y de Datos (SATSAID). Durante la jornada, 22 socios y socias asistieron acompañados de […]
March 14, 2017, 12:06 PM
http://blogs.adobe.com/creative/make-the-cut-do-yo...
Are you the next up-and-coming music video editing visionary? Today, Adobe is launching our “Make the Cut” contest in celebration of the 25th anniversary of Premiere Pro. We’re offering you a once-in-a-lifetime opportunity to cut a video for “Believer,” the new hit single by mega-band Imagine Dragons. In an industry first, Imagine Dragons is offering fans full access to their creative license so you can edit your version of the music video using Premiere Pro CC. The Grand Prize ...
March 14, 2017, 12:06 PM
http://blogs.adobe.com/creative/celebrating-25-yea...
The early 1990s saw the start of a revolution in digital technology that would transform the world of film, television, and video production – and continues to do so today. Adobe Premiere, released in 1991, was part of that revolution. Instead of a traditional video editing system comprised of expensive hardware, Premiere was software-only and could run on an affordable computer. With Adobe Premiere the user could place clips on the timeline, add effects, transitions, and a soundtrack. It...
March 14, 2017, 09:28 AM
http://saeditores.org/Novedades/Candidatos-al-prem...
En el marco del 13º Encuentro Pantalla Pinamar, la Asociación de Cronistas Cinematográficos de la Argentina (ACCA) anunció las nominaciones para los 65˚ Premios Cóndor de Plata, que serán entregados en el próximo mes de junio y premiarán a la producción cinematográfica de 2016.
March 14, 2017, 09:28 AM
http://blogs.adobe.com/conversations/2017/03/celeb...
The early 1990s saw the start of a revolution in digital technology that would transform the world of film, television, and video production – and continues to do so today. Adobe Premiere, released in 1991, was part of that revolution. Instead of a traditional video editing system comprised of expensive hardware, Premiere was software-only and could run on an affordable computer. With Adobe Premiere the user could place clips on the timeline, add effects, transitions, and a soundtrack. It...
March 14, 2017, 09:28 AM
http://blogs.adobe.com/creative/premiere-pro-fete-...
Le début des années 1990 a marqué le départ d’une révolution digitale qui allait transformer l’univers de la production cinématographique, télévisuelle et vidéo. Une transformation qui se poursuit encore aujourd’hui. Sorti en 1991, Adobe Premiere a participé à cette révolution. À la différence des systèmes de montage vidéo classiques composés d’équipements matériels onéreux, Premiere était un logiciel unique pouvant fonctionner sur un ordinateur à un coût ab...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.