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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Typomad 2014 (2014)

April 14, 2015, 05:51 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

What is the most important element of typography?Is it what you see or what you don’t? Is a letterform the presence or absence of something?In the title sequence for Spain’s Typomad 2014 conference, Dutch designer Jeroen Krielaars asks these questions and so much more, gleefully exploring the idea of ‘oculto’ - or the hidden part of type.Conference title sequences, unlike their film and television counterparts, have an unfortunate tendency to be unfocused, meandering pieces; a list o...

Avid Presents a Conversation with Morgan Spurlock

April 14, 2015, 05:51 AM

http://www.productionhub.com/blog/post/avid-presen...

In this session at NAB, Morgan Spurlock gives insight on his documentary films. He shares what filmmakers can take away from following their dreams, having confidence to follow through and sharing insight on issues going on in the world with our communities. 

Apple upgrades Final Cut Pro X, Motion and Compres

April 14, 2015, 05:50 AM

http://postperspective.com/apple-upgrades-final-cu...

Apple has just announced Motion version 5.2, Final Cut Pro X version 10.2 and Compressor version 4.2.  Both Motion and Final Cut Pro X now include 3D title capabilities. Users can create animated, customizable 3D text via cinematic templates with built-in backgrounds and animations. There is a large collection of text styles, and it’s possible to customize titles with hundreds of combinations of materials, lighting and edges for advanced 3D looks. Both Motion 5.2 and Final Cut Pro X 10.2...

Videoblocks Marketplace

April 14, 2015, 05:50 AM

http://www.videomaker.com/videonews/2015/04/videob...

VideoBlocks has a new style of marketplace, and there are great reasons for you to be on both sides of the counter. When you go looking for stock media, you’ll either pay for it or get it for free. When you contribute stock footage to a host website, you either get paid for it or you don’t. Either way, VideoBlocks

NAB 2015 - AJA presents 4-channel SDI to Fiber sol

April 14, 2015, 05:49 AM

http://freytag-film.com/blog/artikel/aja-4-channel...

Meanwhile AJA's collection of Fiber Mini-Converters grew to a dozen different models with a few new products announced at NAB. The new FiDO-4R-ST and FiDO-4T-ST enable 4-channel SDI signals via Optical Fiber.

Sennheiser Rethinks the Wireless Lavalier with AVX

April 14, 2015, 05:49 AM

http://filmmakermagazine.com/93775-sennheiser-reth...

Traditionally when you see a lavalier you’re looking at two identical boxes with frail antennas and dangling cables. Sennheiser decided to rethink this with their new AVX system. The completely redesigned receiver is designed to plug into the XLR input with a very minimal profile. This connects to a wireless lav or handheld transmitter, also streamlined to have no dangling cables or antennas.

How to Let a Client Know If You’re Overwhelmed

April 14, 2015, 05:48 AM

http://99u.com/workbook/39137/how-to-let-a-client-...

As a creative professional, one of the primary benefits that you offer your client is expanded capacity. In exchange for your billings, the client leverages your time, energy, and attention to accomplish more than they could’ve done by themselves.

What’s new at NAB 2015 - Tech Report

April 14, 2015, 05:48 AM

http://www.digitalartsonline.co.uk/news/motion-gra...

The NAB show in Las Vegas every April is where most of the year’s big video-related software and hardware news happens.

VÍDEO: Novedades de Final Cut Pro X 10.2

April 13, 2015, 06:12 PM

http://www.finalcutpro.es/2015/04/video-novedades-...

Hemos preparado un vídeo en el que damos un repaso a todas las novedades de la versión 10.2 de Final Cut Pro X aparecida esta misma tarde. Hay novedades verdaderamente buenas como la incorporación de máscaras Bézier, textos 3D, varios videoscopios, guardar efectos como preajustes, etc. También encontramos grandes ausencias como mejoras en la gestión […]

Blackmagic Announces DaVinci Resolve 12

April 13, 2015, 06:12 PM

http://www.premiumbeat.com/blog/blackmagic-announc...

Blackmagic releases information regarding DaVinci Resolve 12 and its 80+ new features. The post Blackmagic Announces DaVinci Resolve 12 appeared first on The Beat: A Blog by PremiumBeat.

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