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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Some Peculiarities of Audio Shop Talk

May 11, 2017, 12:18 PM

http://designingsound.org/2017/05/some-peculiariti...

This is a guest post by Timothy Muirhead, a sound editor based out of Toronto and also co-host of the Tonebenders sound design podcast. You can reach him via twitter @azimuthaudio. M.O.S. ….. We all know this means that no sound was recorded with the with the visual at hand. Most of us have heard that the […]

2 Techniques for Setting Sound Effects Library Mas

May 10, 2017, 12:58 PM

http://www.creativefieldrecording.com/2017/05/10/2...

Last week I saw an interesting conversation appear on Facebook. Field recordist and sound designer Charles Maynes created a post in the Independent Sound Effects group to discuss establishing a standard for audio levels in sound effect libraries. It’s a valuable idea. In fact, I’ve received a handful of messages from readers about this in the last three months alone.

Premiere CC2017 New Essential Sound Tutorial

May 10, 2017, 12:24 PM

http://theangryvideoguy.com/index.php/2017/05/10/p...

Introduced in the latest CC 2017 update, The Essential Sound Panel attempts to reap time savings for the editor by allowing you stay within the NLE, and utilizes new machine learning tech to assist. The workflow begins with identifying and assigning what each clip type is, such as dialogue, music, or sfx. Premiere will show appropriate tools and filters common to that category of audio.

#adobe#tutorials#tutorial#adobe premiere#audio production
A Message From Your Composer: Lock Your Picture, P

May 10, 2017, 09:17 AM

http://filmmakermagazine.com/102417-a-message-from...

It’s a fraught moment for any director — “locking picture,” with all the finality the term signifies. But, as a panel on “Scoring for Television & Film” at the recent Independent Film Festival Boston (IFFBOSTON) revealed, for composers it’s a vital stage in their process of scoring a film.

Avid at AES 2017 — Maritim Hotel Berlin

May 10, 2017, 05:01 AM

http://www.avidblogs.com/avid-at-aes-2017-berlin/

The article Avid at AES 2017 — Maritim Hotel Berlin by Thomas Wendt appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Chris Wade - Interviews

May 9, 2017, 05:12 PM

https://soundblab.com/interviews/18037-chris-wade

Imagine Ingmar Bergman’s Wild Strawberries remade by David Lynch and you’ll be in a better mindset to immerse yourself within the debut film from author, musician, and filmmaker Chris Wade, perhaps best known around these parts as the guiding light behind the prolific Dodson and Fogg project. We chatted with Chris to get a handle on what encouraged him to reach out beyond his comfort zone in the recording studio to tackle the silver screen.

Audio-Technica Offers Content Creation Microphone

May 9, 2017, 07:13 AM

http://www.dvinfo.net/news/audio-technica-offers-c...

A-T’s acclaimed AT8024, AT2020USB+, AT2020USBi, System 10 Camera-Mount Wireless, BP40 and AT2005USB microphones are valued tools for content creators STOW, OH, May 9, 2017 — Audio-Technica, a leading innovator in transducer technology for over 50 years, offers a range of microphones favored by podcasters, social media and YouTube personalities, journalists and interviewers, livestreamers, voiceover artists, [...]

Sunday Sound Thought #71 – Taken For Granted

May 8, 2017, 04:30 AM

http://designingsound.org/2017/05/sunday-sound-tho...

As I was preparing a guest contribution relating to the monthly theme of Sound Language & Lingo, I found myself thinking about hearing loss and how it relates to the spoken English language. I asked myself what a language might sound like were it created from scratch. What elements might be considered in its design? Perhaps efficiency in terms of speed, […]

Sound Devices Launches New MixPre Series

May 3, 2017, 09:50 AM

http://www.dvinfo.net/news/sound-devices-launches-...

REEDSBURG, WI, APRIL 19, 2017 – Sound Devices is thrilled to announce the launch of its groundbreaking new product line, the MixPre Series of audio recorders with integrated USB audio interface. The lightweight, high-resolution MixPre-3 & MixPre-6 audio recorders with USB audio streaming offer world-class sound quality combined with extreme durability – perfect for musicians, sound designers, podcasters, videographers, YouTubers and field recordists.

Sennheiser pushing 360º audio recording with fort

May 1, 2017, 09:36 AM

http://alex4d.com/notes/item/sennheiser-pushing-36...

A step towards ambisonic audio going mainstream: the forthcoming Sennheiser Ambeo Smart Headset headphones have microphones in each ear and (I assume) a sensor to record head position. The device encodes ambisonic audio which is sent to your iOS device to be recorded as an audio file or as the soundtrack to video you are recording. Ambisonic audio records a sphere of audio - so that when you play it back, if you turn your head, the sound seems to stay in the same place. This is more like th...

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