It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 17, 2017, 10:52 AM
http://www.fcp.co/final-cut-pro/articles/1930-gett...
Brian Cassin goes in to great detail about how he efficiently edits a gameshow on FCPX. By using Final Cut Pro X and Lumberjack to pre-edit a season of High School Quiz Show, he saves hours, if not days of edit time.
February 17, 2017, 10:52 AM
http://designingsound.org/2017/02/women-in-sound/
This is a guest contribution by Sarah King who works at Grand Central Recording Studios in London, a sound design and audio post production facility, creating award winning sound for TV, cinema, online, interactive audio and radio productions. Having worked within the creative sector for the last 10 years, the latter four of which at Grand Central Recording Studios […]
February 17, 2017, 10:52 AM
http://www.redsharknews.com/production/item/4361-l...
Want to liven up your footage in post? Try adding some light leak overlays to your video editing arsenal. These versatile drag-and-drop elements can make a world of difference. RocketStockShutterstocklight leaksFootageEditinglibrary
February 17, 2017, 10:52 AM
http://www.provideocoalition.com/attack-cyber-octo...
Imagine William Gibson’s cyberpunk universe and sci-fi products like Blade Runner, Terminator, Escape from New York, Aliens, Akira or Tetsuo the Iron Man and you’ve the inspiration for the short film from filmmaker Nicola Piovesan. The Kickstarter campaign has now 11 days to go, and reached close to €14,000 of a €18,000 goal, with nearly The post Attack of the Cyber Octopuses: Sci-Fi without CGI appeared first on ProVideo Coalition.
February 17, 2017, 10:49 AM
http://www.creativebloq.com/advice/5-top-tips-for-...
If you're a young animator it can be hard to know what you should do in order to secure your first real studio job. Here, Milo Targett and Lana Simanenkova from animation studio Animade, who work at the cross-section of design and animation, share their biggest challenges and offer their best advice to junior creatives.
February 17, 2017, 10:48 AM
http://www.goldderby.com/article/2017/mpse-golden-...
All five Oscar nominees for Best Sound Editing number among the nominees for the Golden Reel Awards bestowed by the Motion Picture Sound Editors. Oscar frontrunner “Hacksaw Ridge” reaped three bids across the seven film categories as did one of its Oscar rivals, “Arrival.” The other three Oscar nominees — “Deepwater Horizon,” “La La Land” and “Sully” — each received one nomination. “Arrival” is predicted to win the main prize of Sound Editing (Effects and Foley).
February 17, 2017, 10:48 AM
http://www.slate.com/articles/podcasts/represent/2...
On this episode of Represent, Aisha Harris talks to Moonlight co-editor Joi McMillon about her path to becoming the first black woman to be nominated for an Oscar in her field—and only the second black person ever nominated in the Best Film Editing category. But first, on this week’s segment of “Guess Who’s Coming to Oscar,” we talk West Side Story with Turner Classic Movies host Tiffany Vazquez.
February 17, 2017, 05:24 AM
http://www.avidblogs.com/media-composer-8-8/
The article Save Hours Now—ScriptSync and PhraseFind Are Here by Matt Feury appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
February 17, 2017, 05:23 AM
http://abcnews.go.com/Entertainment/la-la-land-hac...
'La La Land' and 'Hacksaw Ridge' editors reveal movie-making secrets
February 17, 2017, 05:23 AM
http://www.artofvfx.com/the-jungle-book-effects-vf...
MPC presents their beautiful FX work for THE JUNGLE BOOK...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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