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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: Maxon Cinema 4D Studio Release 18

February 13, 2017, 06:06 PM

http://postperspective.com/review-maxon-cinema-4d-...

By Brady Betzel Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites and most challenging is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use every day, Continue reading → February 13, 2017 The post Review: Maxon Cinema 4D Studio Release 18 appeared first on Randi Altman's postPerspective.

Invisible VFX: The Art of Compositing

February 13, 2017, 01:31 PM

https://www.premiumbeat.com/blog/the-art-of-compos...

Visual effects are at their best when they are so subtle, you thought what you were seeing was real.

NUGEN Audio ISL — From the Main Stage to the Air

February 13, 2017, 01:31 PM

http://www.avidblogs.com/nugen-audio-isl-from-the-...

The article NUGEN Audio ISL — From the Main Stage to the Airwaves by Jon Schorah appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

BAO Bones 1.4.2 IK Plugin for After Effects

February 13, 2017, 11:15 AM

http://theangryvideoguy.com/index.php/2017/02/13/b...

BAO Bones for AE is a plugin that seems to have some unique features including GPU acceleration. At $99 it’s not “cheap” but I think it does present a value worth the tag.

#after effects#plugins#animation
More VES Awards for Rodeo FX for Game of Thrones

February 13, 2017, 10:24 AM

http://www.broadcastbeat.com/more-ves-awards-for-r...

Rodeo FX has added to its collection of VES Awards with three more for its visual effects work on Game of Thrones. The Montreal studio won the awards at the 15th VES Awards ceremony held last week in Los Angeles. The awards honored the studio’s work on Battle of the Bastards, the ninth and most memorable ...

NAB Annual State Leadership Conference Will Host K

February 13, 2017, 10:24 AM

http://www.broadcastbeat.com/nab-annual-state-lead...

The 2017 National Association of Broadcaster’s annual State Leadership Conference will be held in Washington, DC on February 28. The conference will feature some of the key leaders in the broadcast industry as well as national politicians who will speak to many of the issues concerning the industry. This annual event features a robust program where ...

HACKSAW RIDGE: VFX Supervisor Interview

February 13, 2017, 10:23 AM

http://www.artofvfx.com/hacksaw-ridge-chris-godfre...

Chris Godfrey has been working in visual effects for over 30 years. He co-founded Animal Logic with Zareh Nalbandian in 1991. He supervised the effects of many films such as BABE: PIG IN THE CITY, MOULIN ROUGE!, AUSTRALIA and THE GREAT GATSBY.

Curso de Edición de Cine Documental dictado por A

February 13, 2017, 07:20 AM

http://edaeditores.org/curso-de-edicion-de-cine-do...

CONFESIONES DE UNA MONTAJISTA Dictado por la editora Alejandra Almirón en Villa crespo los días sábados 11,18, 25 de Marzo y 1, 8 y 15 de Abril de  2017 en el horario de 10 a a 13 hs. Consta de 6 clases de 3 horas cada una. Metodología El curso consta de seis encuentros y […]

AI and Production: Overview

February 13, 2017, 07:20 AM

http://www.philiphodgetts.com/2017/02/ai-and-produ...

Over the last couple of years I’ve become more and more interested in the ways that the research being done into Artificial Intelligence (AI) might be applied to production and post production. In this article I’ll be giving an overview of what AI is at this stage of development, and what technologies are being used. […]

The Challenges of Editing Come and Get It

February 13, 2017, 07:20 AM

https://editstock.com/blogs/all/the-challenges-of-...

Guest article by EditStock customer Sofya Lifanova. Working on a project Come and Get It was a very challenging and exciting process. The film had no dialogue and the fighting sequence was one of the main highlights of the story, so I had to make sure the visuals deliver the story clearly. This is why reading the script and watching all the footage thoroughly before you start editing is essential. More

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