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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Quick Fix: Correcting Jumpy Audio in Premiere Pro

January 25, 2017, 01:40 PM

https://www.premiumbeat.com/blog/correcting-jumpy-...

Audio track not working in your Premiere Pro timeline? Try converting it to a WAV file in Adobe Audition.

Stock Footage Searches Reveal Shifting Media Trend

January 25, 2017, 01:40 PM

http://www.studiodaily.com/2017/01/stock-footage-s...

We consume hundreds of images every day and, as content creators, make many more, each one representative of continually shifting tastes, social mores and demographics. But exactly how is broadcast, documentary, advertising and corporate media being changed by evolving social and … more » The post Stock Footage Searches Reveal Shifting Media Trends appeared first on Studio Daily.

"Editing Is an Unending Series of Difficult Decisi

January 25, 2017, 01:39 PM

https://filmmakermagazine.com/101173-editing-is-an...

For director Pamela Yates and her colleagues at Skylight, 500 YEARS marks the end of a documentary trilogy on Guatemala. The film follows When the Mountains Tremble (1983) and Granito: How to Nail a Dictator (2011), both of which screened in previous years at the Sundance Film Festival. Veteran documentary editor Peter Kinoy edited all three films. Below, he discusses Skylight’s unique model as both a human rights organization and a film production company.

Crafting Realistic Animated Trees With Blender

January 25, 2017, 10:30 AM

http://lesterbanks.com/2017/01/realistic-animated-...

It has been a while since the CG-Geek, Steve Lund has posted a new tutorial. Perhaps he was busy creating his new Realistic Tree Asset Pack for Blender. The pack features drag and drop realistic The Post Crafting Realistic Animated Trees With Blender originally appeared and published on %%BLOGLINK%,by lesterbanks

Whitehouse editor Lisa Gunning moves from London t

January 25, 2017, 10:29 AM

http://postperspective.com/whitehouse-editor-lisa-...

Whitehouse Post editor Lisa Gunning has relocated from the company’s London headquarters to its Los Angeles office. The move allows her to cut more long-form projects in addition to her spot work. Gunning’s arrival at Whitehouse LA coincided with her editing the feature film Newness for commercial and narrative director Drake Doremus. Continue reading → January 25, 2017 The post Whitehouse editor Lisa Gunning moves from London to LA appeared first on Randi Altman's postPerspective.

Hybrid Library Wins ANR Sonic Joy Award 2016

January 25, 2017, 10:29 AM

http://www.prosoundeffects.com/blog/hybrid-library...

The Pro Sound Effects Hybrid Library has been presented with a 2016 Sonic Joy Award from AudioNewsRoom in the Best Sound Design Tools category! This category of ANR’s Sonic Joy Award features audio tools relied on by sound designers, editors and engineers across the industry to create the sound behind films, TV shows, ... The post Hybrid Library Wins ANR Sonic Joy Award 2016 appeared first on Pro Sound Effects Library.

Advanced Colorist Strategies with Resolve 12.5 wit

January 25, 2017, 07:21 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Our two-day ICA 201 class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.Find out more about this course here: http://mewshop.com/courses/course_detail/ICA201/

Using VR design strategies in non-VR projects

January 25, 2017, 07:21 AM

http://designingsound.org/2017/01/using-vr-design-...

  Finally! With the advent of somewhat affordable VR systems and the first titles making their way into the public’s hand, we are hearing something from the general populace and other non-audio developers that we sound professionals have always known: Sound matters! Since VR is an enclosed experience, in that the user is entirely enveloped […]

Video - Film Editor John Gilroy, ACE on Using Spar

January 25, 2017, 07:20 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Artist in Residence John Gilroy, ACE "Narc." For more information on Manhattan Edit Workshop's 6 Week Editing Intensive and Artist In Residence program please visit: www.mewshop.com/six_week_workshop/John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton",...

The View from La La Land

January 24, 2017, 08:35 PM

http://www.btlnews.com/awards/view-la-la-land/

So the Oscar nomination process is on the one hand modernizing: the Academy realized they no longer have to gather everyone “live” at 5 in the morning, feeding all those press minions breakfast before they head back to their newspaper offices with printed handouts, to type up stories for afternoon editions. Instead, they could stream […] The post The View from La La Land appeared first on Below the Line.

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