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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Ossic CEO Jason Riggs On The State & Future Of Spa

January 18, 2017, 01:41 PM

http://designingsound.org/2017/01/ossic-ceo-jason-...

Road To VR has published an interview with Jason Riggs, CEO of Ossic , where he shares his views on the current state, technical limitations & future of spatial audio at CES. You can listen to it here!

Virtual Reality is definitely "the future", but

January 18, 2017, 10:10 AM

http://www.redsharknews.com/vr_and_ar/item/4293-vi...

Virtual Reality is perhaps the most demanding graphical task for a computer; much more so than 4K and 8K video. Video is essentially a rapid succession of flat images, but Virtual Reality requires those images to be based on a 3D world that is generated in real time. VR calls for high frame rates and even higher resolutions. All of this has to happen with no discernible lag. Virtual RealityVRDell workstationdellGPUGPUs

EasyTracker for Final Cut Pro X

January 18, 2017, 10:10 AM

https://fxfactory.com/blog/effects-2/easytracker-f...

Quickly create titles, images, and animations that follow moving objects in your frame, tracking their motion.

Creating Post-Production Workflow Efficiencies wit

January 18, 2017, 10:09 AM

http://www.provideocoalition.com/post-production-w...

What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the very simple to the exceedingly complicated. Everything from render times to client feedback to transcoding logistics can impact how quickly or slowly a project is able to get through a post-production workflow. These elements plus countless The post Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO appeared first on ProVideo Coalition.

Rogue One Interview: Resurrect Old Characters

January 18, 2017, 10:09 AM

http://www.slashfilm.com/rogue-one-vfx-interview/

Last week I had the opportunity to jump on the phone with the visual effects team behind Rogue One: A Star Wars Story. After the jump, you can read a transcript of my full interview with Rogue One executive producer / visual effects supervisor / writer John Knoll, animation supervisor Hal Hickel, and special effects supervisor Neil Corbould.

SULLY: VFX Breakdown by MPC

January 18, 2017, 10:09 AM

http://www.artofvfx.com/sully-vfx-breakdown-mpc/

Really nice work by MPC on the latest movie of Clint Eastwood, SULLY...

ROGUE ONE: Margaux Durand-Rival - Previs/Postvis

January 18, 2017, 10:09 AM

http://www.artofvfx.com/rogue-one-a-star-wars-stor...

Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS or MISSION IMPOSSIBLE: ROGUE NATION.

MIGRATING TO WINDOWS

January 18, 2017, 06:23 AM

http://lfhd.net/2017/01/17/migrating-to-windows/

This is a tough thing to admit, but I’m seriously considering a move from Mac to Windows.  Tough, because I’ve been a Mac user ever since I bought my first computer in 1991, a Mac Classic. Why am I doing this? Well, Apple used to be the front runner when it came to computers for […]

ENTER THE EDIT: ACTIVATING FEELINGS OF IMMEDIACY A

January 18, 2017, 06:23 AM

http://www.karenschmeer.com/blog/2017/1/17/enter-t...

Gore Vidal and William F. Buckley Jr in BEST OF ENEMIES, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures. This is the fifth (and last!) in a series of posts on POV’s Documentary Blog about the regrettably underappreciated process and craft of documentary editing with our guide, 2016 Karen Schmeer Film Editing Fellow Eileen Meyer. Catch up on earlier conversations with Meyer.Coffee. Meditation. Mentorship...

Audible Magic Pursues Trademark Case Against Googl

January 18, 2017, 06:22 AM

http://www.broadcastbeat.com/audible-magic-pursues...

Company Asserts its Ownership of “Content ID” Trademark Audible Magic Corporation, the leader in digital fingerprinting and automated content recognition (ACR) solutions, has initiated legal action against Google for the company’s fraudulent trademark registration of Audible Magic’s Content ID trademark with the United States Patent and Trademark Office (USPTO). Audible Magic is recognized for its ...

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