It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 12, 2017, 02:22 PM
http://prodesigntools.com/photoshop-3d-sculpt-vr-p...
The Adobe Research team is exploring what Photoshop would be like with a 3D canvas instead of 2D… With the Interactive Sculpting project shown the video above, instead of drawing and manipulating pixels, the tool operates on three-dimensional voxels. An artist uses all the familiar tools from Photoshop like brushes, layers, and filters to sculpt 3D objects. It also showcases some innovative tablet interaction model that uses simultaneous touch and pen input: the user rotates objects with one...
January 12, 2017, 02:22 PM
http://filmmakermagazine.com/101032-listen-walter-...
Yesterday we shared part one of a podcast conducted with Walter Murch conducted by Glenn Kiser for the Dolby Institute Conversations with Sound Artists series. In this second part, Murch discusses how Apocalypse Now changed the state of film sound, why going to film school could be a good idea, and using sound effects to express a character’s emotional state.
January 12, 2017, 02:22 PM
http://www.artofvfx.com/arrival-philippe-theroux-v...
In 2015, Philippe Théroux spoke to us about Hybride’s work on UNBROKEN. He then took care of the effects of TOMORROWLAND, JURASSIC WORLD, STAR WARS: THE FORCE AWAKENS and WARCRAFT.
January 12, 2017, 10:23 AM
http://postperspective.com/editor-joe-walker-estab...
By Mel Lambert For seasoned picture editor Joe Walker, ACE, his work with directors Denis Villeneuve and Steve McQueen might best be described as “three times a charm.” His trio of successes with Villeneuve include the drug enforcement drama Sicario, the alien visitor film Arrival and the much-anticipated, Continue reading → January 12, 2017 The post Editor Joe Walker on establishing a rhythm for Arrival appeared first on Randi Altman's postPerspective.
January 12, 2017, 04:24 AM
http://designingsound.org/2017/01/paul-shikata-int...
Our friends at Creative Fieldrecording have published an in depth interview with Paul Shikata about his work & experiences as Sound Editor for Season Two of the widely acclaimed TV show Fargo!
January 12, 2017, 04:24 AM
http://www.redsharknews.com/post/item/4276-redshar...
RedShark Review: Red Giant releases Magic Bullet Suite 13, a complete grading solution for Adobe products, as well as Final Cut Pro X. Magic Bullet SuiteReviewPluginsColoristaDenoiserCosmoMojoAdobeAfter EffectsPremiereFinal Cut Pro XFCPX
January 12, 2017, 04:24 AM
http://www.provideocoalition.com/AOTC+Manchester
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing teams on features films like Sidney Lumet’s Before the Devil Knows You’re Dead, and Reservation Road. She moved into the editor’s chair on the 2012 indie, Pricecheck before editing a trio of Noah Baumbach films: Frances The post ART OF THE CUT with Manchester by the Sea’s Jennifer Lame appeared first on ProVideo Coalition.
January 11, 2017, 06:02 PM
http://www.fcp.co/final-cut-pro/articles/1917-off-...
We publish part two of Sam Mestman & Patrick Southern's popular workflow series. This time they look a setting up Final Cut Pro X ready for editing and using the tools to organise footage within Libraries. As always, lots of very detailed & valuable battle tested information for film makers.
January 11, 2017, 06:02 PM
http://www.studiodaily.com/2017/01/how-big-is-the-...
Expectations for the VR market are running high, with vendors, content creators and enthusiasts alike predicting robust growth in demand for head-mounted display hardware. But many observers still remember the broken promises, not so long ago, that stereo 3D would … more » The post How Big Is the Installed Base for Virtual Reality? appeared first on Studio Daily.
January 11, 2017, 06:02 PM
http://postperspective.com/this-audio-pro-focuses-...
By Tim Hoogenakker My day job is as a re-recording mixer and sound editor working on long-form projects, so when I attended this year’s Consumer Electronics Show in Las Vegas, I honed in on the leading trends in home audio playback. It was important for me to see what the manufacturers are planning regarding multi-channel audio reproduction for the home. Continue reading → January 11, 2017 The post Focusing on sound bars at CES 2017 appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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