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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hollywood Wants to Keep Motion Picture Film Alive

February 5, 2015, 03:36 PM

http://provideocoalition.com/jantunes/story/hollyw...

The news, today, that Kodak finalized motion picture film agreements with major Hollywood studios is a new step in the story of film not being dead yet. We recently published here the story of Ferrania Film coming back, and now it is time to confirm that Kodak will be a name present in future movie and television productions.

The Mac Pro and Final Cut Pro X one year on. What

February 5, 2015, 09:50 AM

http://www.fcp.co/final-cut-pro/articles/1595-the-...

The Mac Pro and the 10.1 update to Final Cut Pro X are now over a year old. So using the same jobs as benchmarks, how far have we come with the combination?

Day 5 #28daysofquicktips - Move a Clip’s Connect

February 5, 2015, 09:50 AM

http://provideocoalition.com/ssimmons/story/day-5-...

One fundamental concept of Final Cut Pro X and its trackless timeline is Connected Clips. When editing clips outside of a Primary Storyline all clips must connect to something in the Primary Storyline and they move according to that parent clip. But you can, thankfully (and mercifully depending on your POV), move that connection point.

Film Is Dead... Long Live Film... Kodak Finalizes

February 5, 2015, 09:49 AM

http://blogs.indiewire.com/shadowandact/film-is-de...

In case you missed it, yesterday, Kodak announced that it has finalized new film supply agreements with all 6 major Hollywood studios - 20th Century Fox, Walt Disney, Warner Bros., NBC Universal, Paramount and Sony.

Victory for the net neutrality lobby - and a sigh

February 5, 2015, 04:35 AM

http://www.redsharknews.com/technology/item/2351-v...

In a fairly audacious move, rather than waiting to circulate his plans over the future of net neutrality to members of the FCC in the USA, Commission Chairman, Tom Wheeler, has given a statement outlining them to Wired. And, as the destination indicates, supporters of net neutrality have reason to be delighted. Net NeutralityFCCRegulator

Oscar-Nominated Editor Barney Pilling on The Grand

February 4, 2015, 09:12 PM

http://www.studiodaily.com/2015/02/oscar-nominated...

With nine Academy Award nominations and countless other wins, The Grand Budapest Hotel is director Wes Anderson's most critically fêted film to date. Among those nominated for an Oscar is the film's editor, Barney Pilling, known for An Education, Never Let Me Go and … more » The post Oscar-Nominated Editor Barney Pilling on The Grand Budapest Hotel appeared first on Studio Daily.

Blackmagic Design Releases DaVinci Resolve 11.2

February 4, 2015, 12:41 PM

http://provideocoalition.com/bhallett/story/blackm...

Blackmagic Design releases DaVinci Resolve 11.2 adding new codecs, cinema DNG tone improvements, and edit page improvements that move the color correction software closer to an NLE that can handle more than simple edits.  

NOTICIA: Blackmagic anuncia DaVinci Resolve 11.2 c

February 4, 2015, 10:13 AM

http://www.finalcutpro.es/2015/02/noticia-blackmag...

(Nota de prensa) Blackmagic Design anuncia el lanzamiento de DaVinci Resolve 11.2 con mejoras en el procesamiento de archivos CinemaDNG Blackmagic Design anunció en el día de hoy que ya se encuentra disponible la versión 11.2 de DaVinci Resolve, la cual ofrece entre otras características un mejor procesamiento de imágenes en formato RAW CinemaDNG, nuevas […]

Video Editing: 3 Uses for the Premiere Pro ‘Proj

February 4, 2015, 10:13 AM

http://www.premiumbeat.com/blog/video-editing-3-us...

Discover a few ways to optimize your video editing workflow with the Premiere Pro 'Project Manager'. The post Video Editing: 3 Uses for the Premiere Pro ‘Project Manager’ appeared first on The Beat: A Blog by PremiumBeat.

MediaStorm Guide to Editing 2.4 Anamorphic Video

February 4, 2015, 10:12 AM

http://mediastorm.com/blog/2015/02/04/mediastorm-g...

Currently at MediaStorm, we are using the Sony PMW-F5 camera. Our final frame size is 2048×858, also known as 2.40.

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