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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How To Install LUTs in Premiere Pro CC 2015.3 / 20

December 28, 2016, 07:31 AM

http://cinescopophilia.com/how-to-install-luts-in-...

Straight to the point instructional video from IWLTBAP on how to install LUTs in Premiere Pro CC 2015.3 / 2017.

VR Is A Renegade Technology, Disrupting The Creati

December 28, 2016, 07:31 AM

https://www.fastcocreate.com/3066736/insider-insig...

Framestore VR Studio creative director Resh Sidhu on the questions, challenges, and creative opportunities in VR storytelling.

Magic Bullet Suite 13, Part 1

December 28, 2016, 07:31 AM

http://www.doddlenews.com/blogs/doddlereview-magic...

One product package I’ve always been impressed with is Red Giant’s Magic Bullet Suite. It’s a product that is designed to cover all the bases of finishing your product. Whether it’s color correct, color grading or film emulation, Magic Bullet has your productions covered. In this two part review, we’re going to take a look at the newest release, Magic Bullet Suite 13, and we’ll see if number 13 is lucky for Red Giant.

Watch our Six Week Student Profile on Assistant Ed

December 27, 2016, 02:43 PM

http://manhattaneditworkshop.blogspot.com/2016/12/...

Former Manhattan Edit Workshop Six-Week student and assistant editor Jonathan Proctor talks about his experiences with Mewshop's Six Week Intensive Program and his work on HBO's "Vinyl."About MEWShop’s Six Week Intensive CourseThe post-production industry is highly competitive, and knowing the industry standards – Premiere Pro, Final Cut Pro, After Effects and Avid Media Composer – is critical for success. MEWShop is the only school in the world to offer in one comprehensive, six-w...

Win Iris 2 by iZotope

December 27, 2016, 02:43 PM

http://designingsound.org/2016/12/win-iris-2-by-iz...

Merry Christmas to everyone! Even if Santa already finished his world tour, he still had some nice gifts for a couple of Designing Sound Exchange members here, starting with Iris 2, the powerful synthesizer by iZotope. As you might already know by now, if you’re interested in Iris 2, please take a break from your chocolate-eating […]

December 14th, 2016

December 27, 2016, 02:43 PM

http://lappg.com/december-14th-2016/

Join us for our December meeting: COLOR GRADING: WHAT YOU REALLY NEED TO KNOW – PART 2 We are thrilled to end the year with a return visit of one of our favorite presenters, Juan Ignacio Cabrera! He will be sharing part 2 of “Color Grading: What you REALLY Need to Know” and it’s okay […] The post December 14th, 2016 appeared first on lappg.

Animation in 2016: The Year in Review

December 27, 2016, 02:42 PM

http://filmmakermagazine.com/100674-animation-in-2...

When you think of indie film, animation may not be the first medium that comes to mind, and with so much else going on this year — both cinematically and in the world in general — it would be easy to miss that 2016 was a fantastic year for animation. The art form continues to present exciting opportunities for enterprising filmmakers, and this year it’s also given a plethora of great titles to those of us who simply want to watch quality animated cinema.

The VR Soundscape of Secret Sorcery’s Tethered

December 27, 2016, 07:01 AM

http://designingsound.org/2016/12/the-vr-soundscap...

Guest Contribution by Kenny Young Tethered is an immersive VR strategy game in which you take on the role of a god-like spirit tasked with looking after your flock of ‘Peeps’, the cute but simple-minded inhabitants of the beautiful, floating archipelagos that you gaze down upon from your lofty seat amongst the clouds. This disembodied […]

At Exceptional Minds, Autistic Students Learn VFX

December 27, 2016, 07:01 AM

http://www.studiodaily.com/2016/12/at-exceptional-...

Founded in 2011, Exceptional Minds is a vocational school with a difference. Based in Sherman Oaks, CA, the digital arts school and studio educates autistic adults for careers in media and entertainment. That goal may be lofty, but it is … more » The post At Exceptional Minds, Autistic Students Learn VFX and Animation appeared first on Studio Daily.

VIDEO: Editor Kelley Dixon, ACE on Creative Freedo

December 27, 2016, 07:01 AM

http://manhattaneditworkshop.blogspot.com/2016/12/...

Editor Kelley Dixon, ACE discusses creative freedom in "Breaking Bad." From "Sight, Sound & Story" on June 11th, 2016.Kelley Dixon, ACE got her start in post production in multiple capacities in the editing room on the features "Reservoir Dogs" and "Good Will Hunting" as well as TV's "Without a Trace," and "Revelations."  Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham cut the "Breaking Bad" pilot and she became the series' se...

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