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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

TRANSFORMERS – Ben Murray – Senior Stereo Supe

July 18, 2014, 09:49 AM

http://www.artofvfx.com/?p=8545

Ben Murray has worked over 10 years as an Inferno / Flame artist. He then helps Prime Focus World to developed his stereo pipeline and he worked on films such as MEN IN BLACK 3, FRANKENWEENIE or NOAH.

Mrs. Roosevelt and the bad notes

July 18, 2014, 09:46 AM

http://www.thepoweredit.com/mrs-roosevelt-and-the-...

Ever gotten a note or comment from a director, client, or producer that feels downright insulting?  Of course you have. If you haven’t yet, you will. I once cut on a major network show whose showrunner had an Avid in his office, and he left black locator marks in editors’ cuts. And the comments attached to […]

Does Technology Make Us Better Storytellers?

July 18, 2014, 04:42 AM

http://www.macprovideo.com/hub/final-cut/does-tech...

As I get older I more often feel overwhelmed with how fast our creative industries are changing. Sometimes I feel a certain apprehension about being left behind, not only by all the changes that are happening at neck breaking speed, but by the new competitive environment we find ourselves. Do you relate?

How Boyhood was Cut

July 17, 2014, 09:40 AM

http://www.indiewire.com/article/how-boyhood-edito...

You can't work with the same group of people for 12 years and not come to feel a certain kinship towards them. And indeed that's how the creative team behind Richard Linklater's decade-in-the-making film "Boyhood" have framed their experience, with the movie's young star Ellar Coltrane—who ages from age 6 to 18 during the course of the 166-minute coming-of-age epic—recently telling The New York Times that he considers Linklater and his co-stars (including Ethan Hawke and Patricia Arquette) t...

The top 7 VFX studios of 2013-14

July 17, 2014, 09:39 AM

http://www.creativebloq.com/3d/top-7-vfx-studios-2...

Discover the studios who film the unfilmable and represent the cutting edge of VFX, where art meets technology…

SNL’s Adam Epstein & The Cutting Edge Tour

July 17, 2014, 09:38 AM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

For the last 5 years, Adam Epstein has been editing for the SNL film unit – a team that has just a couple of days to make something that looks as polished and as real as the material they are often parodying. Adam describes himself as an editor who’s “been working professionally on promos, commercials, TV [...]

4/50 – How to Add Realistic Spinning Motion Blur

July 17, 2014, 09:37 AM

http://blogs.adobe.com/jkost/2014/07/450-how-to-ad...

The new Spin Blur filter creates non-destructive, realistic, motion effects including the ability to spin an object at variable angles, as well emulate traditional strobe effects (including the ability to define the strength, number of flashes and duration). This video will show you how: Tip: Command + Option -drag (Mac) | Control + Alt -drag (Win) the pin to duplicate it.

CCW+SATCON to Include NY Post|Production Conferenc

July 16, 2014, 04:21 PM

http://soundandpicture.com/2014/07/ccwsatcon-to-in...

Washington, DC – Future Media Concepts (FMC) and the National Association of Broadcasters (NAB) will present the NY Post|Production Conference during the 2014 Content and Communications World (CCW) and Satellite Communications Conference and Expo (SATCON), held November 12-13 in New York. New to CCW+SATCON, the training workshop is designed for editors, producers, directors and motion graphics designers, as well as new media professionals in production and post, commercial video, distribution ...

Conflicts At Work: They’re Not About Personality

July 16, 2014, 09:12 AM

http://www.creativitypost.com/psychology/conflicts...

Why do people come into conflict with each other at work? A clash of personalities is one reason that might come readily to mind. But “most work conflicts aren’t due to personality,” argues organizational psychologist Ben Dattner in a post on the website of the Harvard Business Review. Rather, there are usually situational dynamics at work that turn people into adversaries.

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