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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Recreating the Assassin’s Creed Movie Title in F

December 23, 2016, 07:28 AM

http://www.fcp.co/final-cut-pro/tutorials/1910-rec...

Following on from Dylan Higginbotham's very successful Fantastic Beasts and Rogue One movie title recreations in Final Cut Pro X, he's back with great tutorial. This time he builds the Assassin's Creed movie title in FCPX.

New import experience with Raw Technology Preview

December 23, 2016, 07:28 AM

http://blogs.adobe.com/contentcorner/2016/12/23/ne...

“Lightroom has always been about helping you get the most out of your images, and with Lightroom for Android 2.2, you can now import raw files directly into your Android device. The Raw Technology Preview makes it possible for you to connect your camera to your Android device and import photos directly from your camera. With this Technology Preview now available for Android (released for iOS in July of this year), you can capture, edit, and share raw photos, in full resolution, and have ac...

Let’s Edit with Media Composer – ADVANCED –

December 23, 2016, 07:27 AM

http://www.provideocoalition.com/lets-edit-media-c...

In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is the Background Services feature, and more specifically, background Consolidating and Transcoding.   One thing that doing these tutorials does, is that it let’s me talk about a wide range of concepts, many of which editors either The post Let’s Edit with Media Composer – ADVANCED – Background Services appeared first on ProVideo Coalition.

Get Started Fast with Media Composer for Adobe Edi

December 23, 2016, 07:27 AM

http://www.provideocoalition.com/get-started-fast-...

This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! I always find these tutorials to be a little tricky to…..”get right”.  Many editors might think that this is a tutorial series designed to The post Get Started Fast with Media Composer for Adobe Editors — Part 1 appeared first on ProVideo Coalition.

Tips to Speed Up Your Editing in Resolve

December 23, 2016, 06:17 AM

https://www.rocketstock.com/blog/speed-up-your-edi...

DaVinci Resolve’s color grading power is no secret, but more and more video editors are adopting the Blackmagic software as their NLE of choice. These quick tips will help you get the most out of your Resolve editing experience.

ROGUE ONE - UI and Motion Graphics by Blind LTD

December 23, 2016, 06:16 AM

http://www.artofvfx.com/rogue-one-a-star-wars-stor...

Check out the retro style UI and motion graphics work of Blind LTD on ROGUE ONE – A STAR WARS STORY

Digital Production Buzz- December 22, 2016

December 22, 2016, 05:35 PM

http://www.digitalproductionbuzz.com/2016/12/digit...

Join host Larry Jordan as he talks with Joel Lipton, Bram Desmet, Jourdan Aldredge, Scott Freiman, Randi Altman, James DeRuvo. Secrets to Photographing Food High-quality Video Monitors for Production and Post Top 7 Inexpensive Gifts for Filmmakers New Collaboration Tools for Music Administration Randi Altman Looks Back at Key Trends of 2016 Our Weekly DoddleNEWS Update The post Digital Production Buzz- December 22, 2016 appeared first on Digital Production BuZZ.

VIDEO - Film Editor Jeffrey Wolf, ACE on Dividing

December 22, 2016, 05:35 PM

http://manhattaneditworkshop.blogspot.com/2016/12/...

Film editor Jeffrey Wolf, ACE on "Beautiful Girls." From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. For more information on Manhattan Edit Workshop's Six Week Editing Intensive and Artist In Residence program please visit: mewshop.com/six_week_workshop/ Jeffrey Wolf, ACE, worked with director Ted Demme on "The Ref," "Beautiful Girls," "Monument Avenue" and "Life." He als...

What’s New in the Hybrid Library 2017

December 22, 2016, 01:19 PM

http://www.prosoundeffects.com/blog/whats-new-in-t...

This year the Hybrid Library saw a significant update, and we are excited to share more about the latest features of the “The Sound Designer’s Secret Weapon.” We designed the Hybrid Library to be your go-to general sound effects library for daily use – a reliable source of creative fuel ... The post What’s New in the Hybrid Library 2017 appeared first on Pro Sound Effects Library.

Colorist Jack Lewars on Sunny but Grief-Stricken M

December 22, 2016, 01:19 PM

http://www.studiodaily.com/2016/12/colorist-jack-l...

If there's one thing that's important to know about Manchester by the Sea, it's that it is a sad movie. In an emotionally fraught but carefully controlled performance, Casey Affleck plays Lee Chandler, a quiet Boston handyman whose life is turned upside-down … more » The post Colorist Jack Lewars on Sunny but Grief-Stricken Manchester by the Sea appeared first on Studio Daily.

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