It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2015, 01:14 PM
http://editorunderconstruction.blogspot.com.es/201...
A music album composed of unrelated YouTube music videos. How cool is that? the creator of such an idea, Ophil Kutiel (a.ka. Kutiman), talks about the commencement of the idea and also about the creative process at the Huffington Post
January 18, 2015, 10:27 AM
http://blogs.adobe.com/premiereclip/2015/01/18/get...
New to Premiere Clip? Watch this video to get an intro to many of the cool features in Premiere Clip! Below, you’ll find more detailed information about each step of the process. Note: Premiere Clip works best when you are connected to WiFi (which will allow you to sync media and publish to the web). If you are not able to connect to Wifi, you can choose to use cellar data. Logging In Premiere Clip syncs across devices via the Creative Cloud, so you’ll need an Adobe ID to get star...
January 17, 2015, 03:37 PM
http://mentalfloss.com/article/54560/how-are-oscar...
The voting process that determines Oscar nominees is a long and complicated undertaking that involves more than 6000 voting members and hundreds of eligible films, actors, actresses, directors, cinematographers, editors, composers, and more.
January 17, 2015, 11:22 AM
http://kyleesportfolio.com/blog/?p=1782
“I hadn’t even heard of that movie until the nominations.” “Oh, it’s Oscar nominated? I’ll have to see it.” “I need to see all the best picture nominees before the Oscars are on!” How many times do you hear these … Continue reading →
January 16, 2015, 05:42 PM
http://www.digitalproductionbuzz.com/2015/01/trans...
GUESTS Matthijs Wouter Knol, Director, European Film Market , President, The Greenlight Coach Kai Pradel, CEO/Founder, MediaSilo
January 16, 2015, 05:42 PM
http://joyoffilmediting.com/index.php/archives/542...
Confession: I’ve watched “Glee” since its first episode in May 2009. I like the message of the show – acceptance – seeing GBLT characters as well as hetero-and metrosexual characters, and its often non-formulaic plots, issues, and nuances not to mention its musical numbers. As a member of Academy of Television Arts and Sciences (the […]
January 16, 2015, 05:42 PM
http://postperspective.com/format-archiving-digita...
The first in a semi-regular series of articles from this Nice Shoes colorist. By Lenny Mastrandrea Recently, I read an interesting commentary by Keith Phipps at The Dissolve, regarding the ongoing dispute between film and digital aficionados. While being interviewed for his new feature, Mr. Turner, director Mike Leigh claimed that the aversion of directors like Quentin Tarantino to digital as a format for feature films has no justification at this point. Leigh chooses to embrace digital b...
January 16, 2015, 02:21 PM
http://www.studiodaily.com/2015/01/beast-buys-nyc-...
Beast has expanded with the purchase of Go Robot!, a New York editorial boutique. Go Robot! co-founders Adam Liebowitz and Alisa Sheinberg will become senior editor and managing director, respectively, at Beast. "Beast's nationwide network of boutiques will help us extend … more » The post Beast Buys NYC Editorial House Go Robot! appeared first on Studio Daily.
January 16, 2015, 02:20 PM
http://www.redsharknews.com/post/item/2305-ctrl-co...
Use a touchscreen as an NLE controller? Actually, it works rather well Ctrl+Touchscreen controlTouchscreen consoleiPadiPad Mini
January 16, 2015, 06:43 AM
http://provideocoalition.com/kmcauliffe/story/medi...
In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you that no matter what compression application you have, whether it Sorenson Squeeze, Adobe's Media Encoder or even Apple's Compressor, with a little forethought, you will be creating your M2V and AC3 files, lightning quick!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.