It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 14, 2016, 03:03 PM
https://fxfactory.com/blog/after-effects/mosaic-pl...
Pixel Texturing & ASCII Effects with Adaptive Tiling.
December 14, 2016, 03:02 PM
https://news.creativecow.net/story/883910
(London, UK--December 8, 2016) Jellyfish Pictures provides a full range of visual effects, animation and motion graphics services, and has earned BAFTA, Emmy and VES Award recognition for its work. Founded in 2001, the company currently operates out of three locations in London. The Noho studio handles live action film, TV and advertising projects like “Star Wars Rogue One,” “Black Mirror” or “Outlander,” and the Brixton outfit and recently opened Oval office specialize in animation,...
December 14, 2016, 03:02 PM
https://www.rocketstock.com/blog/custom-premiere-p...
Certified Premiere Pro Trainer and Emmy Award-winning editor Dylan Osborn — one of our very favorite sources of actionable, real-world knowledge on the web — is back with another expert tutorial. This installment of his informative Done With Dylan series explains how to create efficient keyboard shortcuts in Premiere Pro, focusing primarily on shortcuts for Application and Panel Commands. The entire process is easier than ever, thanks to the new visual Shortcut interface.
December 14, 2016, 03:01 PM
http://www.artofvfx.com/fantastic-beasts-and-where...
Andrew Morley is working in the VFX industry for nearly 20 years. He has worked in many studios such as MPC, Lucasfilm, Framestore or Aardman Animations. He joined Cinesite in 2014.
December 14, 2016, 05:04 AM
https://www.premiumbeat.com/blog/film-editing-duo-...
By dividing the work and sharing the load, the editing partners behind the films of J.J. Abrams have cut an unconventional path to Hollywood editing success.
December 14, 2016, 05:04 AM
http://www.finalcutpro.es/2016/12/review-macbook-p...
Analizamos el modelo más alto del nuevo MacBook Pro 2016 de 15" y Touch Bar. La entrada REVIEW: MacBook Pro 2016 con Final Cut Pro X y DaVinci Resolve aparece primero en finalcutpro.es.
December 14, 2016, 05:04 AM
http://www.digitalrebellion.com/blog/posts/how_to_...
Premiere Pro stores metadata that helps it determine which files exist in a project, however when roundtripping via XML through a non-Adobe app this metadata can get lost, resulting in Premiere duplicating all of the existing media in the project upon import. Here's how to prevent that: Create a new, temporary Premiere project. Because Premiere can only open one project at once, your current project will close. Import the XML file into the temporary project and save it. Relink any file...
December 14, 2016, 05:04 AM
http://www.provideocoalition.com/blackmagic-4k-dup...
Learning how to use the 4K Duplicator is so easy it can be taught to an eight-year-old child via text message. The tech, at least the user interface, is that easy to master. This is the big bonus found in Blackmagic’s 4K Duplicator, which would be great if there was not an obvious negative counterbalancing the The post The Blackmagic 4K Duplicator Review appeared first on ProVideo Coalition.
December 14, 2016, 05:01 AM
http://www.creativebloq.com/reviews/modo-101
Modo's new procedural tools are powerful, if not exactly easy to learn, and should enhance Modo's reputation as a best-in-class modelling tool.
December 14, 2016, 05:01 AM
http://www.macrumors.com/2016/12/14/davinci-resolv...
Blackmagic Design today announced a new update to its professional video editing and color correction software, DaVinci Resolve, featuring Touch Bar support on compatible MacBook Pros.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.