To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Manage your projects better
December 9, 2016, 05:51 AM
http://www.creativebloq.com/features/manage-your-p...
Agencies reveal how they keep on top of multiple projects and ensure every client brief is completed on time and budget.
5 AE Tutorials for Your Next Star Wars Fan Film
December 9, 2016, 05:51 AM
https://www.rocketstock.com/blog/after-effects-tut...
As the release of Rogue One looms like the Death Star over Endor, let’s take a look at some of the best After Effects tutorials for learning how to recreate Star Wars VFX.
Walter Murch’s Rule of Six
December 8, 2016, 08:00 PM
https://americancinemaeditors.org/walter-murchs-ru...
Editor Joe Walker on Cutting Arrival
December 8, 2016, 08:00 PM
http://www.studiodaily.com/2016/12/editor-joe-walk...
Denis Villeneuve's new film Arrival plays with language in myriad forms: literal, intellectual, oral, emotional, visual, spatial and spiritual. Amy Adams and Jeremy Renner star as linguist Louise Banks and theoretical physicist Ian Donnelly, two civilian scientists enlisted by the U.S. military to … more » The post Editor Joe Walker on Cutting Arrival appeared first on Studio Daily.
Oscars 2017: The 10 VFX Oscar Contenders
December 8, 2016, 07:59 PM
http://www.indiewire.com/2016/12/oscars-2017-vfx-o...
It’s been a VFX season dominated by giants in a range of superhero, sci-fi and action-adventures. They include Mark Rylance’s 25-foot dream catcher in “The BFG,” Christopher Walken’s King Louie in “The Jungle Book,” the heptapods from “Arrival,” the 7-foot K-2SO droid from “Rogue One” and the Moon Beast and Skeleton from “Kubo and the Two Strings.”
Industry vet Tim Claman to lead Avid Audio busine
December 8, 2016, 01:25 PM
http://postperspective.com/industry-vet-tim-claman...
Tim Claman, VP, platform and solutions at Avid, is now responsible for all of the company’s audio solutions. This move is intended to further unite the development of Avid’s tools and workflow solutions for media creation, distribution and optimization. As part of the company’s platform strategy, Continue reading → December 7, 2016 The post Industry vet Tim Claman to lead Avid Audio business appeared first on Randi Altman's postPerspective.
Solve Difficult Green Screens with Chroma Key Stud
December 8, 2016, 10:40 AM
http://www.avidblogs.com/solve-difficult-green-scr...
Keying poorly lit green screen footage can be a challenging task! In this tutorial, we show how to salvage a nasty green screen shot with BCC Chroma Key Studio inside of Avid Media Composer. The article Solve Difficult Green Screens with Chroma Key Studio from Boris FX by Ross Shain appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Importing iXML data into Final Cut Pro 10.3
December 8, 2016, 10:40 AM
http://www.provideocoalition.com/importing-ixml-da...
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how you can now automatically assign roles when importing audio that is tagged with iXML data. In Final Cut Pro 10.3, roles are assigned automatically by default to video, titles, dialogue, music, or effects, with Final Cut making it’s best guess based on the The post Importing iXML data into Final Cut Pro 10.3 appeared first on ProVideo Coalition.
Replay the Final Cut Pro X 10.3 Narrative Workflow
December 8, 2016, 10:39 AM
http://www.fcp.co/final-cut-pro/tutorials/1901-rep...
The recent FCPX 'focused' meeting of the Los Angeles Creative Pro User Group was a sell-out. Even the waiting list had to be closed! One of the highlights was a detailed presentation of how Final Cut Pro X works with a narrative workflow.
How to Create Export Presets in Premiere Pro
December 8, 2016, 05:41 AM
https://www.premiumbeat.com/blog/export-presets-in...
Streamline your video editing workflow by creating custom export presets in Premiere Pro. It only takes three simple steps!
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.