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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Assimilate Updates Scratch Tools with Improved Met

December 18, 2014, 06:13 AM

http://www.studiodaily.com/2014/12/assimilate-upda...

Assimilate released Scratch and Scratch Lab v8.2, implementing new features including updates to the Scratch media browser, a Live View function for capturing footage and metadata from a camera's SDI output, a Mac implementation of Vanguard Video's H.274 codec, and … more » The post Assimilate Updates Scratch Tools with Improved Metadata Support appeared first on Studio Daily.

How Assimilate Helped Create Highly Acclaimed Film

December 18, 2014, 06:12 AM

http://www.productionhub.com/blog/post/how-assimil...

On the heels of director’s Shawn Christensen’s Oscar winning short film, “Curfew” (2012), his highly acclaimed feature film “Before I Disappear” (2014) premiered on November 28. Jerome Thelia, colorist and post-production supervisor, is a member of the talented gene pool that brought both these films to fruition. In a recent interview, Jerome discussed his role on for “Before I Disappear.” 

Nvidia GeForce GTX 980 / Titan Black tested with R

December 18, 2014, 06:12 AM

http://www.redsharknews.com/post/item/2239-red-sha...

Red Shark Technical Editor, Phil Rhodes, puts Nvidia's latest and greatest GPUs through their paces, giving them a strenous colour correcting workout with Resolve and hardly booting up Elite: Dangerous at all. Nvidia GPUNvidia GeForce GTX 980Nvidia Titan BlackResolveColor Correctionvideo gamesResolve 11GradingLUTLook up table

A new way to try to get out of paying you

December 18, 2014, 06:08 AM

http://www.hdwarrior.co.uk/2014/12/18/a-new-sinist...

It’s called “Not followed to completion” a new game employers are playing to avoid payment and can I say at this point its not just the wee chancer its large organisations as well.

Review: iZotope RX4 and RX4Advanced

December 17, 2014, 05:33 PM

http://postperspective.com/review-izotope-rx4-rx4a...

This working audio pro puts these plugins through their paces. By Ron DiCesare Just over a year ago, I had the opportunity to review iZotope RX 3 for postPerspective. So when I was offered the chance to test the latest version of their plug-ins, the RX 4 and RX 4 Advanced , I jumped at […]The post Review: iZotope RX4 and RX4Advanced appeared first on postPerspective - Randi Altman's postPerspective.

Editors Stephen Mirrione and Doug Crise on Birdman

December 17, 2014, 05:32 PM

http://www.studiodaily.com/2014/12/stephen-mirrion...

An editor's best work is never meant to be noticed when watching a film. But imagine the ultimate hat trick: an imperceptibly edited film that appears not to be edited at all. The endless, meandering tracking shot and claustrophobic POV that drive much of Birdman, co-written, … more » The post Editors Stephen Mirrione and Doug Crise on Birdman’s Ultimate Disappearing Act appeared first on Studio Daily.

Old-school magic in FCPX : a breath-taking combina

December 17, 2014, 09:49 AM

http://www.fcp.co/final-cut-pro/articles/1571-old-...

What happens when you put Final Cut Pro X in the hands of a respected Director/Editor who has grown up with flat bed editors, in-camera effects and classic animation techniques, who has worked with Lightworks, Avid, classic FCP, Shake and Flame and who says (quote) he is “too lazy” to read manuals and to always learn the newest software?

Midweek Motivation: MTV Motor Home

December 17, 2014, 09:48 AM

http://www.toolfarm.com/blog/entry/midweek_motivat...

In the opener we describe the adrenaline rush which occurs before the start of the race using a style inspired by that of the japan anime.

7 beautiful workplaces that put yours to shame

December 17, 2014, 09:48 AM

http://www.cultofmac.com/306412/7-beautiful-workpl...

If the first thing you do upon arriving at work every day is cast a sad look at the plain, monolithic block in which you spend almost a quarter of your week, you might be interested to know that some people work in places that are not only better-looking than your office, but actually downright beautiful.

Pablo Barbieri (SAE) ganó el Premio Coral de Edic

December 17, 2014, 06:05 AM

http://saeditores.org/Novedades/Pablo-Barbieri-SAE...

El Festival Internacional del Nuevo Cine Latinoamericano de La Habana, Cuba, dio a conocer los ganadores de su 36º edición y el Premio Coral de Edición este año fue para Pablo Barbieri (SAE) y Damián Szifrón por Relatos salvajes...

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