It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 17, 2016, 10:19 AM
http://www.provideocoalition.com/hitfilm-pro-2017-...
FXHOME has released HitFilm Pro 2017, the latest version of its all‐in‐one video editing and visual effects app. With no subscription fees and a large install base of users of its software, HitFilm is the only video product to combine an nonlinear editor, a compositor with motion graphics and 3D tools, and over 500 visual effects The post HitFilm Pro 2017 steps it up appeared first on ProVideo Coalition.
November 17, 2016, 10:19 AM
http://www.provideocoalition.com/audio-signal-path...
This week on MacBreak Studio, Steve Martin from Ripple Training explains how Final Cut Pro 10.3 now handles your audio signal path. While you may already be familiar with the ways you can now assign roles on import (or after), customize subroles, organize roles into lanes, and mix based on roles, once you start applying The post The audio signal path in Final Cut Pro 10.3 appeared first on ProVideo Coalition.
November 17, 2016, 10:19 AM
http://designingsound.org/2016/11/basehead-4-x-rev...
Sound library software isn’t a particularly sexy category of product. They don’t direclty improve the sound of your work and they often look very utilitarian, but for professionals, they are an indispensable tool that saves time by making your pallet of sounds more immediately accessible and navigable. In that spirit, I’m abandoning convention and to save YOU time as you […]
November 17, 2016, 10:19 AM
http://lesterbanks.com/2016/11/fxhome-releases-hit...
FXHome has released HitFilm Pro 2017, offering some long awaited features, and expansion of memory and color-space. HitFilm Pro 2017’s new features adds a little something for everyone. HitFilm caters to editors to visual effects artists, motion graphics artists to colorists. HitFilm has upgraded 3D rendering, added more visual effects tools and presets. You now The Post FXHome Releases HitFilm Pro 2017 and Ignite Pro 2017 originally appeared and published on %%BLOGLINK%,by lesterbanks
November 17, 2016, 10:18 AM
http://www.audiomediainternational.com/new-gear/iz...
iZotope has released Ozone 7 Elements, an entry level version of its award winning mastering software that makes it easier for producers, beatmakers and songwriters to produce radio and streaming-ready mixes.
November 17, 2016, 06:31 AM
http://www.fcp.co/final-cut-pro/articles/1890-fina...
We haven't read a decent review yet of the new MacBook Pro with the Touch Bar and Final Cut Pro X. A lot of tyre kicking and speculation, but no details on exactly what features work with FCPX and this new tool. So we tasked Chris Roberts with the job of testing and documenting what you can, and cant do with the new Touch Bar and FCPX. We think he's got screengrabs of just about everything!
November 17, 2016, 06:27 AM
http://www.digitaltrends.com/movies/andrew-stanton...
hat’s one of many lessons to come out this year’s box-office reports, with Pixar’s animated sequel Finding Dory swimming into the record books as the most successful animated film of all time in the U.S. The long-awaited sequel to 2003’s Finding Nemo, Finding Dory tells the story of a fish on a quest to find her parents, who can’t help forgetting everything and everyone she encounters along the way.
November 17, 2016, 06:27 AM
http://www.moviemachine.tv/post/blog-final-cut-pro...
The entire FCPX Timeline can be displayed in the Touch Bar. With a glance to the Touch Bar, the editor has an overview of the Timeline - one can quickly jump to any specific area simply through touch. You can therefore display a zoomed, working area in the main timeline window with the overview in the Touch Bar - two representations of the same Timeline..
November 16, 2016, 05:46 PM
http://www.redsharknews.com/technology/item/3952-t...
Apple’s latest is a book, but not just any old book: “Designed by Apple in California” chronicles 20 years of Apple design, the material and the techniques used, from the seminal 1998 iMac up to last year’s Apple Pencil. AppleDesignJony IveBooksPhotography
November 16, 2016, 05:45 PM
http://www.cartoonbrew.com/feature-film/oral-histo...
In Part 2 of our 20th anniversary of Space Jam oral history, members of the original animation and vfx team discuss tackling new techniques for 2D animation, and gearing up for the visual effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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