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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Grading For The 'Blockbuster Look'...

December 30, 2013, 05:39 AM

http://noamkroll.com/color-grading-for-the-blockbu...

Probably the most effective way to add production value to your project during post, is to apply a really nice color grade to your footage. Color correction and grading can completely transform the look of your video, fix problem areas, and make otherwise dreary shots look amazing. One of the most common looks...

Transcript: Digital Production Buzz – Dec. 19, 2

December 20, 2013, 10:46 AM

http://www.digitalproductionbuzz.com/2013/12/trans...

Digital Production Buzz December 19, 2013 [Transcripts provided by Take1.tv] [Click here to listen to this show.] HOSTS Larry Jordan Michael Horton GUESTS Norman Hollyn, Editor and Professor, USC Film School Dave Basulto, Media Arts & Animation Instructor, San Marino High School Philip Hodgetts, President, Intelligent Assistance Sean Mullen, CEO & Lead Creative, Rampant Design Tools === Voiceover: This Digital Production Buzz is brought to you by Blackmagic Design, creators of the world’s...

Color/High Resolution Scanning Arcade Fire’s Fil

December 19, 2013, 05:33 AM

http://news.creativecow.net/story/873772

(December 19, 2013) For Arcade Fire’s new release the Montreal band commissioned "Afterlife," a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The film is a captivating seven-minute plus journey through nightmares, lost lovers, and familial bonds and has been touted by Huffington Post as more captivating than many of this year’s feature films. The dreamy, moody and captivating film was shot on 65mm and 35mm by DP Evan Prosofsky an...

Blackmagic posts 4K production footage in ProRes

December 19, 2013, 05:33 AM

http://www.cinema5d.com/news/?p=22589

Today he posted a link to about 10 GB worth of 4K (UltraHD, 3840 x 2160 pixels) ungraded ProRes clips from their upcoming new 4K Production Camera (the footage was acquired in ProRes, he did not touch RAW footage).

4K really does make a difference!

December 18, 2013, 05:41 AM

http://www.redsharknews.com/technology/item/1322-4...

At typical domestic viewing distances, and with a typical (ie 55") sized screen, new tests have shown that you really can tell the difference between 4K and HD 4K4K vs HD4K TV

Getting the Many Looks of Key and Peele

December 16, 2013, 10:49 AM

http://www.studiodaily.com/2013/12/getting-the-man...

Comedy Central’s Key and Peele spares no one with its unfettered humor. Now in their third season, stars Keegan-Michael Key and Jordan Peele have taken on Dominican baseball players, Mafia hit men, vampires, DEA agents and interracial couples. A classic … more »

7 Tips for HD Color Correction and DSLR Color Corr

December 16, 2013, 10:49 AM

https://www.videoguys.com/Blog/E/7+Tips+for+HD+Col...

Color correction is just one step of the entire filmmaking process…but oh, what a difference it can make. You can take average footage and really make it pop, sing and enhance the viewing experience of your project. If you have excellent footage, then the sky is the limit.

Multimedia Foundations

December 16, 2013, 05:37 AM

http://splicevine.com/multimedia-foundations/

Hand Held Hollywood’s Filmmaking with the iPad & iPhone, 3D CG Color Management Handbook, Multimedia Foundations and iPhone Millionaire: How to Create and Sell Cutting-Edge Video Hand Held Hollywood’s Filmmaking with the iPad & iPhone Expect more video being shot on iPhones in […]

Blackmagic Design publish seven customer profiles

December 9, 2013, 11:26 AM

http://www.fcp.co/final-cut-pro/articles/1293-blac...

Something to do whilst we bite our nails waiting for the FCPX update! Blackmagic Design has published seven customer profile videos of professional colourists who use DaVinci Resolve.

#PostDontStop Desktop Backgrounds

December 5, 2013, 01:50 PM

http://aaronwilliams.tv/2013/12/postdontstop-deskt...

In honor of #PostDontStop Day, I was struck by design inspiration (very rare for me) and created a whole batch of minimalist desktop backgrounds for my fellow post-production specialists. There are several variations of each one, including bold and light text, and textless versions if you’d prefer.

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