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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Support Women & Minorities in Production and Post

March 24, 2014, 09:28 PM

http://kyleesportfolio.com/blog/?p=1677

A few weeks ago, Megan McGough (post supervisor for PBS Frontline and all around rad lady) emailed me about the prospect of putting together a meet-up for women at NAB this year. I’d been pondering the idea myself, so we … Continue reading →

DaVinci Resolve 10 Used for Advanced Color on Holl

March 24, 2014, 09:28 PM

http://www.broadcastbeat.com/index.php/davinci-res...

(Fremont, California–March 24, 2014) Blackmagic Design today announced that DaVinci Resolve 10 was used by freelance colorist Mark Todd Osborne for advanced color on the Hollywood film “Need for Speed.” Osborne worked at LA based production and post company Bandito Brothers’ state of the art facility on the 2K DI color for various screenings and […]

300 – RISE OF AN EMPIRE: Charley Henley VFX Supe

March 24, 2014, 03:36 PM

http://www.artofvfx.com/?p=6300

In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.

WalterBiscardi.com

March 24, 2014, 03:36 PM

http://walterbiscardi.com/products/style4type/

Templates and Typestyles that will change how you think about Adobe Premiere Pro’s Titler.

Thelma Schoonmaker talks to The Dissolve

March 24, 2014, 12:45 PM

http://thedissolve.com/news/1797-thelma-schoonmake...

Martin Scorsese has had recurring collaborations with certain actors (such as Robert De Niro, Leonardo DiCaprio, Harvey Keitel, and Joe Pesci), and crew members (such as cinematographer Michael Ballhaus, and writers Paul Schrader and Mardik Martin), but no collaborator is as closely identified with Scorsese as editor Thelma Schoonmaker, who’s been working with him since they met at NYU in the early 1960s. With The Wolf Of Wall Street coming out on DVD and Blu-ray tomorrow, Schoonmaker spoke br...

Dolby announces 11 new Atmos titles

March 24, 2014, 12:45 PM

http://www.filmjournal.com/filmjournal/content_dis...

Dolby Laboratories revealed today that 11 new titles are scheduled to be mixed and released in Dolby Atmos, increasing the number of announced titles to more than 100 since its launch. New Dolby Atmos titles are currently scheduled from major studios including DreamWorks Animation, Twentieth Century Fox, Lionsgate, Disney and Marvel, and Paramount Pictures, with Warner Bros. also planning for the release of The Hobbit: There and Back Again and Edge of Tomorrow.

Lindi Harrison ASE on “I am a Girl”

March 24, 2014, 12:43 PM

http://www.screeneditors.com.au/lindi-harrison-ase...

How long did you have to edit the material down to the six girls in the documentary? 12 weeks How did you balance the different perils each girl faces so it didn’t feel less relevant than the others. Each girl’s story was intrinsically different & engaging, the challenge was to allow  the narrative beats and [...]

NAB Show: Tips from an NAB Veteran, 2014 Edition

March 24, 2014, 12:43 PM

http://walterbiscardi.com/nab-show-tips-from-an-na...

It’s springtime, so it’s time for the annual National Association of Broadcasters convention.   Now let me present the 2014 edition of “Tips from an NAB Veteran to make the best use of your time.”   Getting to and from the show. NAB does a great job providing free shuttle transportation to and from the show […]

Editing Animation (The Final Stages)

March 24, 2014, 12:42 PM

http://www.jaa-editing.com/blog/editing-animation-...

Part 1: Editing an Animatic Part 2: Editing Animation   If you've read the previous parts of this series, this is the part which has the least 'editing' involved - and also the stage where most of the raw materials for the action are together and now fully staged and animated - basically the part where for drama, the editor would start.However, because we don't have multiple readings from multiple angles and very little in the way of handles, the creative job's basically over. Howev...

Master Class Montaje Cinematográfico y Cine docum

March 24, 2014, 07:48 AM

http://editorunderconstruction.blogspot.com/2014/0...

Con Clementina Mantenilli y Everardo González.12 de octubre de 2012

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