It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2014, 08:15 AM
http://nonlinearpost.com/logitech-g13-keyboard-j/
Logitech G13 Keyboard for Video Editing Here is a new gizmo that you may want to check out if you like programming keyboards and value the opinion of a particular ACE editor. The Logitech G13 keyboard is the gizmo and the editor’s name is Alan Bell. Now I use a Wacom tablet when I am editing and so does Alan. However, there is one reason I might stay away from this combination of using the Logitech G13 along with my […] The post Logitech G13 Keyboard for Video Editing appeared first on ...
October 15, 2014, 04:40 AM
http://journaldunemonteuse.wordpress.com/2014/10/1...
À la fin du visionnage des rushes, la réalisatrice se retourne vers moi et me dis : « alors… En ayant vu tout ça, tu penses qu’il y a de quoi faire un film ? » Je suis encore assommée par le … Lire la suite →
October 14, 2014, 04:17 PM
http://www.studiodaily.com/2014/10/studiodaily-dos...
For fans of state-of-the-art filmmaking craft, Gone Girl is the movie of the moment. Directed by David Fincher with his usual precision and economy, the film turns a best-selling page-turner into a riveting 149-minute exercise in style and tension. Here's a … more »
October 14, 2014, 04:16 PM
http://blogs.adobe.com/premierepro/2014/10/biscard...
Full-service video production firm realizes efficiencies and plans for the future with Adobe Creative Cloud Walter Biscardi Jr. has worked with nearly every NLE during his long and successful career. He started editing in 1990 at CNN and was one of the network’s first Avid editors. In 1995, he moved to Foxwoods Resort Casino, designed a new production facility around Media 100, and then started his first company back in Atlanta, Georgia in 1998. After working with Final Cut Pro for 11 yea...
October 14, 2014, 04:16 PM
http://www.oblong.com/blog/posts/mit-news/
MIT News’ Rob Matheson did a deep dive on the Mezzanine platform for a recent piece, explaining how Oblong Industries brings gesture-control technology and the notion of “Infopresence” from the movie screen to corporate conference rooms.
October 14, 2014, 12:01 PM
http://www.premiumbeat.com/blog/how-to-find-your-s...
Editing a feature length documentary film can be an extremely daunting task because of the massive amount of footage and the endless creative options. In this post, we share 3 tips for approaching a documentary edit.
October 14, 2014, 12:00 PM
http://robgwilson.com/2014/10/14/indiewire-wrote-a...
Check out this link and read the interview with Jenna Ricker, director of The American Side (edited by yours truly).Filed under: Narrative, What I'm Working On Tagged: buffalo, editing, editor, film, filmmaking, greg stuhr, jenna ricker, robert vaughn, woodstock film festival
October 14, 2014, 09:14 AM
http://www.fcp.co/final-cut-pro/tutorials/1520-the...
Given two weeks, everybody can edit a piece on FCPX. That's a completely different matter when you've only got a couple of hours before you need to deliver or broadcast your edit. Ten great FCPX tips from Peter Wiggins to help everyone.
October 14, 2014, 09:13 AM
http://alex4d.com/notes/item/why-avid-is-no-1-in-h...
When Premiere and Final Cut users try to convince Avid editors that they are living in the past, they often don't understand the day-to-day experience of high-end TV and feature film post production. To provide an insight into why Avid is still number 1 in Hollywood, Chris Fenwick invited TV editor Austin Flack to talk on his Final Cut Pro X podcast: the FCPX Grill. If you don't have the time to listen to the whole 74 minute episode, here are my notes on what was said: [6:05] AF: I’...
October 14, 2014, 09:13 AM
http://www.redsharknews.com/technology/item/2098-a...
Here's a rare peek into the complexities you might encounter when writing NLE software for Linux. It's a constantly shifting platform, and even the most subtle changes can cause headaches for developers. But there's a good outcome: having solved the problem, the NLE code is more robust than ever. (This is also a good introduction into how a modern NLE copes with Long GOP footage). Lightworks Lead Developer Rob Fearnside shares his insights LinuxLinux NLELightworksLightworks for Linux
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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