It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 20, 2022, 08:40 AM
NEW YORK CITY — Alkemy X (https://www.alkemy-x.com) continues to expand its visual effects team with the recent additions of head of IT, VFX, Jeff Hipolito, and VFX compositor Jimmy Smith. The hires build on Alkemy X’s dramatic growth in Los Angeles, along with recent expansions to Singapore, Vancouver and Toronto.
May 13, 2022, 12:43 PM
LONDON — Framestore (www.framestore.com), the Oscar-, BAFTA- and Emmy-winning VFX studio that has created visuals for the likes of Gravity, Paddington 1 & 2, Spider Man: No Way Home, His Dark Materials and Blade Runner 2049, has announced Mel Sullivan as its new CEO, with founding member and CEO of 26 years Sir William Sargent stepping down to focus on the wider Framestore Company 3 Group.
May 4, 2022, 08:36 AM
Berkeley, California-based visual effects and animation production company Tippett Studio, helmed by two-time Oscar winner Phil Tippett, is expanding into Canada with its first satellite office in Toronto, which will be called Tippett Canada.
April 30, 2022, 08:26 PM
NEW YORK CITY — The-Artery (https://www.the-artery.com) continues to grow its roster of storytellers and technologists with the recent addition of Elad Offer, who joins the creative studio as ECD/head of 2D, and VFX supervisor/director Yuval Levy.
April 21, 2022, 09:15 AM
Updates bring the software’s 3D system more in line with DCC standards and provides more consistency between Nuke and Katana for geometry transformations; workflow improvements provided more intuitive artist pipelines.
April 13, 2022, 09:03 AM
TORONTO — Powerhouse VFX (www.powerhousevfx.com) has expanded into the Canadian market with the opening of a new studio in Toronto. The New York-based company offers high-end visual effects services for episodics and feature films, with credits that include Evil, Stranger Things, The Gilded Age, The Orville: New Horizons, The Marvelous Mrs. Maisel, Servant and Mare of Easttown. The team’s core will consist of creative leads from Powerhouse’s New York studio, alongside a talen...
April 13, 2022, 09:02 AM
New York City-based Powerhouse VFX has expanded into the Canadian market with the opening of a new studio in Toronto setup to service episodic and feature film clients. Powerhouse’s credits include Evil, Stranger Things, The Gilded Age, The Orville: New Horizons, The Marvelous Mrs. Maisel, Servant and Mare of Easttown. Continue reading → April 12, 2022 The post NYC’s Powerhouse VFX Expands to Toronto for Episodic, Film Work appeared first on postPerspective.
April 6, 2022, 08:39 AM
LONDON — Having been the lead vendor on all previous seasons, BlueBolt (https://www.blue-bolt.com) recently completed the fifth and final season of Netflix’s The Last Kingdom, delivering an 782 VFX shots for the hit show, which is produced by Carnival Films. The period series follows Alfred the Great, who defends his kingdom from Norse invaders
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