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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Assimilate’s Scratch V.8.3 and Scratch Lab now i

April 9, 2015, 05:17 PM

http://postperspective.com/assimilates-scratch-v-8...

Scratch 8.3 from Assimilate is a cloud-based ecosystem of digital cinema tools for DITs, DPs, directors, editors, colorists, post artists, and other creative pros. Scratch 8.3 integrates the full Scratch DI workflow and Scratch Lab for on-set and VFX dailies into one toolset for $650 per year. Filmmakers and artists now have an uninterrupted Scratch workflow with a single user interface for consistent color throughout the filmmaking process. The Scratch 8.3 ecosystem also includes Scratch...

Academy Announces Show Dates For Next 3 Years

April 9, 2015, 12:30 PM

http://deadline.com/2015/04/oscars-dates-announced...

Mark those calendars — unless you haven’t bought them yet. The Academy of Motion Picture Arts and Sciences and ABC just announced the dates for the 88th, 89th and 90th Academy Awards. The Oscars will air live on ABC on February 28, 2016, February 26, 2017, and March 4, 2018, respectively. AMPAS also announced key dates for the coming 2015-16 Oscar season, to wit...

Adobe announces new Creative Cloud features

April 9, 2015, 09:26 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SAN JOSE — Adobe has updated its Creative Cloud toolset with new features for video editors and expanded collaboration capabilities. Some of the highlights include the new Lumetri Color panel in Adobe Premiere Pro CC, which lets editors get results quickly, without requiring a background in color science. 

THAT Studio Effects to Debut new Integration at NA

April 9, 2015, 05:40 AM

http://soundandpicture.com/2015/04/that-studio-eff...

San Francisco, CA – THAT Studio, the San Francisco-based technology and postproduction company, will showcase THAT Studio Effects, its comprehensive library of practical effects and assets at NAB next week. A new THAT Studio Effects Panel provides easy access to practical effects and assets inside Premiere Pro CC and After Effects CC. Editors, VFX artists, and independent filmmakers now have access to a complete repository of high-quality tools to enhance their creative work that they can prev...

Telestream taking Episode 6.5 to NAB

April 8, 2015, 12:43 PM

http://postperspective.com/telestream-taking-episo...

At the 2015 NAB Show, Telestream will demo support for new formats, closed captions, multibit-rate encoding, and multitrack audio in Episode 6.5, the latest version of its multiformat video encoding software. Episode 6.5 enables caption insertion with encoding and pass-through options, and supports CEA-608 and CEA-708 captioning standards as well as MCC and SCC caption formats. The aim is to enable postproduction workflows to handle embedded captions easily in the face of federal regulation...

Todo NAB 2015 en un Especial Panorama Audiovisual

April 7, 2015, 03:40 AM

http://www.panoramaaudiovisual.com/2015/04/07/todo...

In the prelude to the big industry trade show in Las Vegas, Panorama Audiovisual, sponsored by EVS , Launches Special with all the information with reports, pictures, interviews, videos, ... that is generated before, during and after This fair held from 11 to 16 April (exhibition from 13).

Oscar-nominated sound editors, mixers share insigh

April 6, 2015, 12:45 PM

http://postperspective.com/oscar-nominated-sound-e...

By Mel Lambert A recent meeting of the Audio Engineering Society’s Los Angeles section offered an opportunity to hear from a number of Oscar nominees and winners as they shared their experiences while preparing dramatic film soundtracks, including how the various sound elements were secured, edited and mixed to picture, plus the types of hardware used in editorial suites and dubbing stages. Whiplash, written and directed by Damien Chazelle, was re-recorded on Technicolor at Paramount’s...

Plugin Alliance Runs a 48hr easter sale

April 4, 2015, 08:00 AM

http://www.pro-tools-expert.com/home-page/2015/4/4...

At the moment our favourite Maag EQ4 is only $119 You can watch Russ’s video review of the UAD version and find out why it won the People’s Choice Award by you for 2013.

Academy Launches ACES 1.0, Sets NAB Outreach

April 1, 2015, 12:44 PM

http://www.studiodaily.com/2015/04/academy-launche...

The Academy Color Encoding System (ACES), designed to preserve the creative decisions made by filmmakers throughout the production, post-production and archival process, launched today. At the same time, a new ACES Logo Program has been introduced to highlight support for the system across … more » The post Academy Launches ACES 1.0, Sets NAB Outreach appeared first on Studio Daily.

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