April 6, 2015, 12:45 PM
http://postperspective.com/oscar-nominated-sound-e...
By Mel Lambert A recent meeting of the Audio Engineering Society’s Los Angeles section offered an opportunity to hear from a number of Oscar nominees and winners as they shared their experiences while preparing dramatic film soundtracks, including how the various sound elements were secured, edited and mixed to picture, plus the types of hardware used in editorial suites and dubbing stages. Whiplash, written and directed by Damien Chazelle, was re-recorded on Technicolor at Paramount’s...
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