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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SIGGRAPH 2015: Day 3 - From Domes to Dinosaurs

August 14, 2015, 05:53 AM

http://www.postmagazine.com/Post-Blog/2015/August/...

Today was an interesting day for some different reasons than the past two. I attended four talks, one of which was about a topic I knew very little about, and three others for movies I have not yet seen. I figured this would be a good opportunity to learn about something more obscure but interesting sounding, as well as see some behind the scenes work before enjoying the finished product for a change. My day began with a 9am panel called "Digital Domes: Theaters Without Borders."...

animago AWARD: Nominees Entries 2015

August 13, 2015, 09:17 AM

http://www.artofvfx.com/?p=13005

The nominees for animago AWARD 2015 have been announced!

SIGGRAPH 2015 : Continuous Calibration, outil de c

August 13, 2015, 09:17 AM

http://www.3dvf.com/actualite-14115-siggraph-2015-...

Motion Analysis Corporation , which specializes in motion capture, unveiled at SIGGRAPH its new tool: Continuous Calibration . This is a calibration system with self-diagnosis and self-correction. This functionality will join Cortex . The motion capture software available from Motion Analysis According to the publisher, this novelty will greatly simplify the calibration: After installing the hardware and calibrated, the tool itself will reflect current problems: stroke given by mistake in a trip...

SIGGRAPH 2015: Day 2 - Microbots, Mountains & Memb

August 13, 2015, 05:36 AM

http://www.postmagazine.com/Post-Blog/2015/August/...

Today was hands down the best day I've ever had at SIGGRAPH in my many years of attending, and I thought I would reflect on something for a moment that anyone working in this industry should consider. As I'm sitting here in my living room at midnight writing this recap with a snifter of cognac in hand, prepared to head outside afterwards to catch a glimpse of the perseid meteor shower, my wife sleeping in the chair next to me and my son fast asleep in the other room, it occurs to me that a...

Artbeats Launches Affordable Stock Media Subscript

August 13, 2015, 05:33 AM

https://news.creativecow.net/story/879531

(MYRTLE CREEK, Oregon--August 12, 2015) Artbeats, a stock footage company founded in 1989 and known for pioneering the royalty free stock footage business, has today launched a new sales platform via a fresh and modern website...

Live Sound Expo Topics Announced

August 13, 2015, 05:33 AM

http://www.avnetwork.com/latest/0013/live-sound-ex...

This year’s 139th AES International Convention is set to offer a number of unique presentations and events, October 29-November 1 at the Jacob Javits Center in New York City.

DE:Flicker with GPU support for Premiere Pro

August 13, 2015, 05:32 AM

https://news.creativecow.net/story/879532

(August 13, 2015) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces DE:Flicker™ for Adobe® Premiere Pro®, with support now included when purchasing DE:Flicker for After Effects. DE:Flicker continues to be available for Final Cut Pro X and Motion, which requires a separate license.

SIGGRAPH 2015 : aperçu photo et vidéo de l'évè

August 13, 2015, 05:30 AM

http://www.3dvf.com/actualite-14108-siggraph-2015-...

After a first glimpse of the 2015 SIGGRAPH yesterday, here are some new photos and videos of the event. Who says SIGGRAPH conference says obviously all kinds: return on productions, films, but also projects focused real time ... Photo: © SIGGRAPH 2015 Later, the Virtual Reality village attracts many visitors. Pictures: © SIGGRAPH 2015 The exhibitors are once again stands in the heart of the event.

Shotgun Announces New Review, Pipeline Features at

August 12, 2015, 04:16 PM

http://www.awn.com/news/shotgun-announces-new-revi...

LOS ANGELES, CA -- At SIGGRAPH 2015 in Los Angeles, Calif, Shotgun Software announced a new set of features and updates, that will make it easier for teams to review, share and provide feedback on creative projects.

OPEN CALL ANNOUNCED FOR THE 2016 KAREN SCHMEER FEL

August 12, 2015, 05:39 AM

http://www.karenschmeer.com/news/2015/8/10/open-ca...

The Karen Schmeer Film Editing Fellowship is accepting applications for its sixth annual award now through September 30, 2015.Applicants must have edited at least one feature documentary (60 minutes or longer) but no more than three and plan on living in the US between March 2016 and March 2017. The fellowship assists emerging documentary editors by developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Edito...

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