It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 23, 2021, 08:58 AM
https://postperspective.com/editing-spots-cutters-...
By Karen Moltenbrey Editing commercials might not have all the glitz and glamour of editing a tentpole film, but the work can be just as challenging. An editor has only a small amount of time to tell a story when doing 30- or 60-second spots, so every frame must count. Here, Continue reading → September 21, 2021 The post Editing Spots: Cutters and Utopic appeared first on postPerspective.
September 16, 2021, 09:04 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — Squeak E. Clean Studios (www.squeakeclean.com), the global creative audio network, has promoted Julie B. Nichols to creative director after two years working as a senior composer. The Chicago-based composer/songwriter/music director/producer has over a decade of experience composing for commercials, film, live theater and her band, Chicago Soul Spectacular.
September 16, 2021, 09:03 AM
https://www.premiumbeat.com/blog/nab-2021-cancelle...
With major vendors pulling out of the show—Adobe, Blackmagic Design, Canon, Sony, etc.—it was the right time for NAB to cut its losses.
September 14, 2021, 09:00 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — The 2021 Creative Arts Emmy Awards were presented on Sunday, September 12th, with Netflix receiving 34 awards in total, followed by Disney+ with 13 and HBO/HBO Max with 10. The Queen’s Gambit was the most recognized show, with nine awards, followed by The Mandalorian and Saturday Night Live - each with seven. The following is a complete list of winners.
August 31, 2021, 08:50 AM
https://www.awn.com/news/legendary-nfb-pinscreen-a...
For more than 30 years, the filmmaker and editor championed use of the unique, legendary animation tool; for years, he was the only person in the world using it to animate, a skill pioneered by famed Russian animator Alexandre Alexeieff, in turn passed on by Drouin to filmmaker Michèle Lemieux.
August 18, 2021, 09:07 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Cinelab London (www.cinelab.london), the full-service film laboratory and digital dailies facility, has hired Darren Rae as head of color. Rae has spent more than 25 years collaborating with directors and cinematographers on numerous blockbusters, independent features and long-form series.
August 11, 2021, 08:58 AM
https://cceditors.ca/2021/08/10/communications-coo...
August 10, 2021, 09:11 AM
https://www.awn.com/news/49th-annual-annie-awards-...
ASIFA-Hollywood issues call for entries; honoring excellence in the field of animation, awards will be presented in 36 categories at ceremony set for February 26, 2022.
August 5, 2021, 09:01 AM
https://postperspective.com/tommy-smith-joins-carb...
VFX supervisor Tommy Smith has joined creative studio Carbon. He has more than 15 years of experience working at studios such as Psyop, The Mill and Method. He also had a two-year stint with Apple as creative director across technology projects. Smith says he looks forward to his work at Carbon because it allows him to use his skills across both 2D and 3D. Continue reading → August 4, 2021 The post Tommy Smith joins Carbon as VFX Supervisor appeared first on postPerspective.
August 3, 2021, 08:49 AM
https://www.awn.com/news/entry-deadline-extended-s...
Submissions now being accepted through August 15, 2021; coming to Tokyo December 14-17, festival showcases innovative shorts, commercials, VFX reels, simulations, visualizations, cinematics and other exciting, CG animated work.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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