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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Anywhere in the Cloud Proves It’s a Game C

April 15, 2015, 07:18 AM

http://aframe.com/blog/2015/04/adobe-anywhere-in-t...

We are pleased to announce that Aframe was selected as a finalist for the Post Production category at this year’s IABM Game Changer Awards hosted at NAB. Aframe was shortlisted for its development of Adobe Anywhere in the Cloud, which allows broadcasters and content producers to remove the limitations of location-specific editing by combining Aframe’s... Read More

Technicolor offers HDR Grading Services

April 15, 2015, 07:15 AM

http://www.definitionmagazine.com/journal/2015/4/1...

Technicolor's services to content creators has now been extended to add HDR (High Dynamic Range) mastering for movies, TV shows and commercials. Technicolor are, to a point, playing catch-up with HDR as Dolby has already signed grading gear manufacturers up with their mastering plug-ins and has already announced tie-ins with TV makers like Vizio for their VIZIO Reference Series 65” and 120” Ultra HD Full-Array LED Smart TVs.

Media Composer | First is Free; Full Yet Simple

April 14, 2015, 06:08 PM

http://www.videomaker.com/videonews/2015/04/media-...

Many of us haven’t tried Avid Media Composer, but it’s pro pedigree is downright respectable, so could cost be the reason you haven’t tried it? That’s where Avid hands us Media Composer | First

MotionElements Gives 30 Free Stock Elements a Week

April 14, 2015, 05:51 AM

http://www.motionelements.com/blog/motionelements-...

MotionElements Gives 30 Free Stock Elements a Week. Weekly free downloads to show thanks to motion creators Singapore, 14th April 2015 – MotionElements only launched their royalty-free music library last year and they’ve already become the largest royalty-free marketplace in Asia for worldwide stock video and music content. To celebrate this achievement, MotionElements is pleased to […] The post MotionElements Gives 30 Free Stock Elements a Week appeared first on Blog.

Apple actualiza Final Cut Pro X, Motion y Compress

April 14, 2015, 05:50 AM

http://www.panoramaaudiovisual.com/2015/04/14/appl...

Coinciding with NAB 2015, and although as usual the apple company not directly displays, Apple today updated Final Cut Pro X, Motion and Compressor with new features on the facet of animated graphics and key improvements to streamline editing video, packaging and delivery.

Thinkbox Software issues the latest Deadline, v7.1

April 13, 2015, 06:12 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LAS VEGAS – Thinkbox Software has unveiled Deadline 7.1, the latest version of its flexible high-volume compute management system for Windows-, Linux- and Mac OS X-based render farms. 

NOVEDAD: Actualización de Final Cut Pro X 10.2, M

April 13, 2015, 06:11 PM

http://www.finalcutpro.es/2015/04/novedad-acutaliz...

Nota de Prensa CUPERTINO (California) —13 de abril de 2015— Apple ha actualizado hoy Final Cut Pro X, Motion y Compressor con nuevas prestaciones en la faceta de gráficos animados y mejoras clave para agilizar la edición de vídeo, el empaquetado y la entrega. Final Cut Pro 10.2 introduce títulos 3D espectaculares y fáciles de […]

Final Cut Pro X updates to 10.2

April 13, 2015, 06:07 PM

http://www.provideocoalition.com/final-cut-pro-x-u...

Apple has retuned to the NAB show fracas with a rather unexpected Monday release of all new versions of their Pro Video Apps. Final Cut Pro X goes to 10.2 while Motion hits 5.2 and Compressor hits 4.2. I say returned but Apple doesn’t have a booth on the NAB show floor. They know this morning-of-NAB show release will have folks talking. While FCPX goes up a few decimal points to 10.2 there’s not a ton of big new features (consider the version jumped to a .2) but rather a few smaller ones...

Apple update Final Cut Pro X to 10.2, Motion to 5.

April 13, 2015, 06:06 PM

http://www.fcp.co/final-cut-pro/news/1642-apple-up...

Apple has released updates to Final Cut Pro X to version 10.2, Motion to version 5.2 and Compressor to version 4.2.  A lot of new eye-candy, some much needed new features and some large speed gains. Their 15th update to FCPX is still free and available for download now. Apple update Final Cut Pro X to 10.2, Motion to 5.2 and Compressor to 4.2

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