It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2020, 05:08 PM
https://www.redsharknews.com/technology/item/6976-...
AMD has launched the Radeon Pro W5500 graphics card and provided you previously read our November 2019 news about Radeon Pro W5700 you probably have a fair grasp what this is all about. In the event you missed that story, let’s do a quick recap about Radeon Pro W5700 and then we’ll move on to Radeon Pro W5500.
February 3, 2020, 01:28 PM
https://www.artofvfx.com/bafta-2020-the-special-vi...
The BAFTA have announced their winner for the 2020 EE British Academy Film Awards!
January 31, 2020, 04:00 PM
http://www.btlnews.com/featured/the-18th-annual-ve...
Disney’s The Lion King came out on top at the 18th annual Visual Effects Society (VES) Awards, winning three trophies including the marquee Outstanding Visual Effects in a Photoreal Feature during Wednesday night’s ceremony at the Beverly Hilton. The Jon Favreau-directed “live action” remake of the cartoon classic also took the award for Outstanding Created […] The post The 18th Annual VES Awards Winners appeared first on Below the Line.
January 31, 2020, 04:00 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (www.visualeffectssociety.com) held its 18th Annual VES Awards last night, recognizing outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues. Comedian Patton Oswalt served as host for the ninth time, entertaining the more than one thousand guests gathered at the Beverly Hilton, who were there to celebrate VFX talent in 25 awards categories.
January 30, 2020, 02:04 PM
http://www.btlnews.com/awards/oscar-contender-visu...
In undertaking a third Avengers film, Endgame, Marvel visual effects supervisor Dan DeLeeuw relied on his previous experiences at Marvel Studios. “The Marvel system is that they bring you in and get you immersed,” DeLeeuw stated. “I started on second unit on Iron Man 3 and learned the system. Then, [Avengers directors] Joe and Anthony […] The post Oscar Contender: Visual Effects Avengers: Endgame appeared first on Below the Line.
January 30, 2020, 02:02 PM
http://www.btlnews.com/awards/contender-portfolios...
When visual effects supervisor Elliot Newman joined the team of The Lion King (2019), creating photorealistic hair for the numerous animals in the story was perhaps the most vital aspect of production. “It had been a year-and-a-half since Jungle Book, and, how do we do better?” Newman wondered about his previous film with The Lion King […] The post Oscar Contender: Visual Effects The Lion King appeared first on Below the Line.
January 30, 2020, 01:59 PM
https://www.artofvfx.com/18th-annual-ves-awards-th...
The Visual Effects Society have announced the winners for the 18th Annual VES Awards!
January 17, 2020, 02:15 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (www.visualeffectssociety.com) has announced its 2020 board of directors' officers. The officers, who comprise the VES board executive committee, were elected at the January 2020 board meeting, and include Mike Chambers, who was re-elected as board chair.
January 17, 2020, 02:13 PM
https://www.awn.com/news/visual-effects-society-an...
LOS ANGELES -- The Visual Effects Society (VES) has announced its 2020 board of directors’ officers. The officers were elected at the January 2020 board meeting and include Mike Chambers, who was re-elected as board chair.
January 15, 2020, 02:10 PM
http://www.btlnews.com/awards/contender-portfolios...
With Christopher Townsend as overall visual effects supervisor and Damien Carr as overall effects producer, 15 separate visual effects vendors brought Captain Marvel to life. “The way it starts is with the script,” said Marvel Studios’ additional visual effects supervisor Janelle Croshaw Ralla. “You start to break it down and realize how many thousands of […] The post Contender: Captain Marvel Visual Effects appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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