It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 23, 2014, 08:34 AM
http://www.goldderby.com/news/5708/cinema-audio-so...
Continuing a successful run at guild events, "Gravity" won Best Live-Action Sound Mixing at the Cinema Audio Society Awards, beating Oscar rivals "Captain Phillips," "Inside Llewyn Davis," and "Lone Survivor" as well as "Iron Man 3." At the Oscars, "Iron Man" lost out to "The Hobbit: The Desolation of Smaug" for the fifth Sound Mixing bid.
February 23, 2014, 08:34 AM
http://www.hollywoodreporter.com/behind-screen/gra...
The force of Gravity remained strong as its sound-mixing team won the feature film category at the 50th annual Cinema Audio Society Awards for outstanding achievement in sound mixing, Saturday at the Millennium Biltmore Hotel.
February 20, 2014, 01:53 PM
http://www.televisual.com/news-detail/West-Digital...
West London post house West Digital Post Production is to launch an expanded facility next month as a response to increased demand.
February 19, 2014, 01:39 PM
http://www.studiodaily.com/2014/02/colorfront-clou...
On-set dailies and transcoding developer Colorfront has announced it will add EDL conform and automatic visual effects pull features to the dailies transcoding and format rendering already available through its Colorfront Cloud Service, a flexible public and private cloud service … more »
February 19, 2014, 10:36 AM
http://www.btlnews.com/awards/sound-design-corpora...
The Academy has tapped Paul Sandweiss and his crew from Sound Design Corporation to capture the live musical performances at the Academy Awards, March 3. This year’s show will include stirring renditions of best song nominees “Let it Go” from Frozen, “Happy” from Despicable Me 2, “Ordinary Love” from Mandela: Long Walk to Freedom and “The Moon Song” from Her.
February 18, 2014, 05:56 PM
http://fxfactory.com/blog/effects-2/sheffield-movi...
Apply stylized, cinematic "looks" to your footage.
February 18, 2014, 05:56 PM
http://www.digitalproductionbuzz.com/2014/02/caldi...
FASTA-6GU3 Pro - Maximize the potential of your desktop
February 18, 2014, 05:55 PM
http://www.latimes.com/entertainment/envelope/coto...
Pioneering visual effects house Rhythm & Hues stunned Hollywood last year when it filed for bankruptcy protection and laid off more than 250 employees. The announcement came as the Los Angeles company was enjoying its crowning achievement: the Ang Lee film “Life of Pi,” whose dazzling digital effects would land Rhythm & Hues its third Academy Award just a few weeks later.
February 18, 2014, 01:46 PM
http://www.digitalrebellion.com/blog/posts/cinepla...
Yesterday we released CinePlay 1.2.2 and CinePlay: Kollaborate Edition 1.2.2, minor updates to our iOS professional video players.
February 18, 2014, 10:51 AM
http://www.btlnews.com/awards/motion-picture-sound...
Top honors at the 61st MPSE Golden Reel Awards were split between Gravity and Captain Phillips, with the former winning for best sound editing in feature film – sound effects and foley, and the latter taking best sound editing in feature film – dialogue and ADR. Frozen garnered the award for best sound editing in feature film – music, musical feature, while best sound editing in feature film – music went to The Great Gatsby.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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