It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2014, 10:49 AM
http://www.btlnews.com/crafts/visual-fx/synaptic-d...
Burbank-based Synaptic VFX recently contributed to the visual effects for the first season of the new FOX series Sleepy Hollow. The series incorporates film-quality visual effects to help illustrate its re-telling of the legendary story of Ichabod Crane and the Headless Horseman.
January 24, 2014, 10:47 AM
http://variety.com/2011/digital/news/fadeout-of-fi...
A few weeks ago I moderated the Q&A that followed the Variety screening of “Jane Eyre.” I asked director Cary Fukunaga if he’d shot with a digital camera or on film, and he replied that he always prefers to shoot film.
January 24, 2014, 06:05 AM
http://news.creativecow.net/story/874242
(New York, New York--January 24, 2014) In a sign of its ongoing commitment to independent film, Technicolor-PostWorks, New York, provided post production services for eight films screening at the 2014 Sundance Film Festival. The facility delivered a variety of creative and technical services, ranging from editorial systems to color grading, for the films, which include two dramatic features, a comedy feature, three feature-length documentaries and two shorts.
January 23, 2014, 02:49 PM
http://www.hollywoodreporter.com/news/new-vfx-firm...
A version of this story first appeared in the Jan. 31 issue of The Hollywood Reporter magazine. Magnopus, a newly created company founded by Oscar-winning visual effects artists Ben Grossman and Alex Henning (Hugo), along with Rodrigo Teixeira, has just signed a five-year lease for creative offices in downtown L.A.'s PacMutual building.
January 23, 2014, 02:44 PM
http://www.engadget.com/2014/01/23/irig-mic-hd/?nc...
We've seen our fair share of mobile recording gear, and IK Multimedia is certainly no stranger to the fray. For those who prefer a more hand-held...
January 23, 2014, 11:48 AM
http://www.postmagazine.com/Press-Center/Daily-New...
DETROIT — Creative editorial and post studio Hudson Edit has opened a new audio mixing and recording suite. The room will be operated by Spencer Hall, who recently joined the facility as senior audio mixer/sound designer.
January 23, 2014, 06:48 AM
http://globalnews.ca/news/1093851/cinesite-to-open...
MONTREAL – Quebec Premier Pauline Marois was in London on Monday to announce that one of the largest visual effects companies in Europe will be opening an office in Montreal.
January 22, 2014, 04:21 PM
http://www.legitreviews.com/western-digital-announ...
IRVINE, Calif., Jan. 22, 2014 /PRNewswire/ – Western Digital Corp. (NASDAQ: WDC) today reported revenue of $4.0 billion and net income of $430 million, or $1.77 per share for its second fiscal quarter ended Dec. 27, 2013. On a non-GAAP basis, net income was $532 million or $2.19 per share.1 In the year-ago quarter, the company reported revenue of $3.8 billion, net income of $335 million, or $1.36 per share. Non-GAAP net income in the year-ago quarter was $513 million, or $2.09 per share.
January 22, 2014, 01:37 PM
http://www.broadcastbeat.com/index.php/synaptic-vf...
(Burbank, California--January 22, 2014) Synaptic VFX has just completed production of original visual effects for the first season of the new, hit FOX TV series “Sleepy Hollow.” Synaptic VFX is one of the visual effects vendors for “Sleepy Hollow.
January 22, 2014, 10:50 AM
http://www.btlnews.com/crafts/post-production/todd...
Postproduction sound company Todd-Soundelux announced that re-recording mixer Bob Beemer has joined the organization. Beemer, whose recent credits include Last Vegas and Pitch Perfect, recently completed work on The Angriest Man in Brooklyn for director Phil Alden Robinson.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.