It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 13, 2013, 10:42 AM
http://www.oscars.org/press/pressreleases/2013/201...
BEVERLY HILLS, CA — One hundred fourteen scores from eligible feature-length motion pictures released in 2013 are in contention for nominations in the Original Score category for the 86th Oscars®, the Academy of Motion Picture Arts and Sciences announced today.
December 13, 2013, 05:25 AM
http://www.panoramaaudiovisual.com/2013/12/13/ligh...
Compatibility with Windows 8.1 and numerous enhancements for handling H.264/MP4 video, major improvements in the new version of the nonlinear editing software EditShare.
December 13, 2013, 05:24 AM
http://news.creativecow.net/story/873899
Ad Agency Veteran Spitz Joins ZERO to Expand Commercial Business; ZERO Seeks to Bring New Feature Films to Boston
December 12, 2013, 08:04 PM
http://www.studiodaily.com/2013/12/ves-seeks-to-st...
The Visual Effects Society is developing a specification for a standard camera report in CSV format that will allow critical data about camera settings and characteristics to be transfered from production to post and into the realm of visual effects. … more »
December 12, 2013, 08:03 PM
http://news.creativecow.net/story/873917
(Dubai, United Arab Emirates--December 12, 2013) Navigation Films Co-Owner and Managing Director Mike Charlton moved to Dubai in 2003 to launch a local facility for Atlas Television – a UK-based video kit rental house.
December 12, 2013, 01:53 PM
http://blogs.adobe.com/aftereffects/2013/12/after-...
You may have noticed that several of the Adobe video applications have released updates today.
December 12, 2013, 11:01 AM
http://www.btlnews.com/crafts/post-production/mexi...
Mexican commercial finishing house Color Space has opened its third color suite, built around a further Baselight ONE grading system and a Slate control panel from FilmLight. Color Space installed the first of its Baselight grading system when it opened its doors in 2010, together with a Northlight film scanner. In 2012, the company installed its second system for its digital intermediate and finishing services.
December 12, 2013, 11:01 AM
http://www.btlnews.com/crafts/visual-fx/zero-vfx-a...
ZERO VFX announced it has appointed Sarah Spitz as executive producer. In her new role, Spitz will be charged with expanding ZERO’s global commercial business, as well as with overseeing content production for ZERO’s existing client base. Sarah will work directly with ZERO’s founding executive/creative team, Brian Drewes and Sean Devereaux.
December 12, 2013, 11:01 AM
http://www.btlnews.com/awards/contender-portfolios...
Editor Christopher Rouse always tries to have the story in mind, then let the performances speak and make his editing decisions accordingly. The most challenging task cutting Captain Phillips was wrestling with one of the inherent aspects of the story – how to keep the title character front and center and as active as possible while he was being held hostage. “With someone like Tom Hanks, who is so supremely masterful, so attuned to story, so deeply immersed in his character, I had many ...
December 12, 2013, 10:59 AM
http://www.twice.com/articletype/news/dolby-digita...
San Francisco - Twentieth Century Fox Home Entertainment and Anchor Bay Entertainment have become the latest Hollywood studios to adopt Dolby Digital Plus as their surround-sound format for movies and TV programs encoded in the UltraViolet Common File Format (CFF).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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