It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 10, 2013, 07:51 PM
http://www.creativeplanetnetwork.com/the_wire/2013...
XP-D and XP-I D-Cinema Servers Integrate New Cinema Audio Format CineAsia, December 10-12, 2013, Booth 401 Hong Kong: Dec. 10, 2013... Qube Cinema has been licensed to support Dolby(r)...
December 10, 2013, 01:16 PM
https://www.videoguys.com/Blog/E/Final+Cut+Pro+X+1...
It’s the calm before the storm in the editing world. I feel it coming in my bones you could say… or I could just be paying attention to any video editing forum or group that exists online. Reading all the different posts there seems to be a collective holding of our breath. The anticipation just keeps building. There is sure to be a veritable explosion on the internet when the new Mac Pro and FCP X 10.1 make their debut. Praises and complaints, screenshots and tutorials, reviews and benc...
December 10, 2013, 01:16 PM
https://www.videoguys.com/Blog/E/EDIUS+Support+for...
Matrox® Video today announced the immediate availability of Grass Valley EDIUS® 7.21 nonlinear video editing application support for Matrox MXO2™ LE and Matrox MXO2 Mini I/O devices. EDIUS is a proven solution for editors working on fast-turn-around production in broadcast news, newsmagazine, and studio program content, as well as professional video editors working on organizational, documentary, and theatrical productions.
December 10, 2013, 01:15 PM
http://news.creativecow.net/story/873876
(Vancouver, Canada--December 10, 2013) Enabled by a recent upgrade to Vicon’s Blade 2.5 motion capture software, The Capture Lab has more than doubled the size of its motion capture volume to create the largest entertainment capture stage in the world. The increased functionality of Blade 2.5 allows The Capture Lab to deploy 128 Vicon cameras, covering a massive 50’x130’x15’ volume, through one aggregated system.
December 10, 2013, 11:00 AM
http://www.creativebloq.com/3d/oscars-shortlist-vf...
The awards race is officially on as VFX innovators gather to explain what was involved in bringing the Oscar contenders to life.
December 10, 2013, 10:59 AM
http://www.btlnews.com/news/qube-cinema-servers-to...
Qube Cinema announced that it will release a software update early in 2014 that will add support for Dolby Atmos sound. Atmos unleashes the potential of sound in storytelling by giving filmmakers the ability to precisely place or move sounds anywhere in the movie theater, even overhead, to create a more engaging cinematic experience.
December 10, 2013, 10:59 AM
http://www.btlnews.com/community/whos-where/nina-d...
Animation studio Clockwork VFX has added veteran agency producer Nina Davenport to its team. Davenport comes aboard the eight-year-old studio, following nearly five years as a producer at UPROAR!, a New York-based family-centered marketing agency.
December 10, 2013, 10:58 AM
http://www.btlnews.com/community/whos-where/optimu...
Optimus editor Ruben Vela II recently cut three PSAs that were the focal point of the "Feed the Pig" financial literacy campaign created pro bono by KBS+ for the Ad Council and the American Institute of CPAs (AICPAs). KBS+ recently earned the Ad Council’s Gold Bell for creative excellence for the campaign. The spots encourage young adults to take control of their finances and add saving to their lifestyles by humorously portraying young adults in various settings talking with their friends...
December 10, 2013, 10:58 AM
http://www.btlnews.com/awards/contender-portfolios...
Supervising editor/re-recording mixer, Skip Lievsay, and production sound mixer, Peter Kurland, have been working with Ethan and Joel Cohen since their first film. Mixer Greg Orlof joined the team on O Brother, Where Art Thou? The long-term working relationships on the brothers’ films are a major benefit to his working in the industry, according to Lievsay. “They’re my friends. We’ve been through a lot together. We’ve had good times and some bad times and we’re all the better for...
December 10, 2013, 10:57 AM
http://news.creativecow.net/story/873866
Popular Renderer for Rhino Gets Major Overhaul Across the Board; Speed, Workflow, Lighting, and Material Improvements; Free for V-Ray 1.5 for Rhino Customers...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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