It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2019, 04:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
TORONTO — New York City-based creative studio Nice Shoes (www.niceshoes.com) has grown its Toronto team with the recent addition of colorist Yulia Bulashenko. She brings over seven years of experience as a freelance colorist, working on projects for clients such as Nike, Volkswagen, MTV, Toyota, Diesel, Uniqlo, Uber, Adidas and Zara, among numerous others.
September 5, 2019, 12:39 PM
http://www.btlnews.com/community/upcoming-events/i...
At this year’s IBC, FilmLight (Amsterdam, 13-17 September, Stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency and flexibility for a wide range of workflows. With colour grading an increasing feature across all content streams, client demand for premium quality grows, while timescales and budgets shrink. Long-term impact of many […] The post IBC 2019: Creative Results With FilmLight appeared first on Below the Line.
September 4, 2019, 02:26 PM
https://postperspective.com/sgo-mistika-boutique-a...
At IBC, SGO will be showing enhancements and upgrades of its subscription-based finishing solution, Mistika Boutique. SGO will be demo-ing color management solutions as well as HDR content delivery workflows with recently integrated Dolby Vision support. This pro color grading toolset combined with the finishing functionality of Mistika Boutique will be showcased running on a Mac Pro workstation with Tangent Arc control panels and output to Canon 4K HDR reference display through Blackmagi...
September 2, 2019, 05:45 AM
https://www.4kshooters.net/2019/09/02/davinci-reso...
Blackmagic Design continues to improve the overall functionality of DaVinci Resolve 16 while collaborating closely with a selected group of avid users who provide extensive feedback regarding the platform on a regular basis. In fact, the latest Public Beta 2 version of the software that is now available for download addresses many of the issues and bugs users have encountered while working with Resolve 16.1 Beta.
August 21, 2019, 04:31 AM
https://postperspective.com/technicolor-adds-patri...
Technicolor has Patrick Smith to head its visualization department partnering with filmmakers to help them realize their vision in a digital environment before they hit the set. By helping clients define lensing, set dimensions, asset placement, and even precise on-set camera moves, Smith and his team will play a vital role in helping clients plan their shoots in the virtual environment in ways that feel completely natural and intuitive to them. Continue reading → August 20, 2019 The pos...
August 5, 2019, 08:51 AM
https://www.broadcastbeat.com/legendary-colourist-...
LONDON — 5 August 2019: The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson. To create the distinctive vintage look of the period, Yvan ...
July 24, 2019, 05:49 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Colorist Jason Wallis has returned home to Electric Theatre Collective’s London studio after two years at the company’s Los Angeles office. Wallis played a key role in driving the LA studio’s color team, and worked on projects such as Lil Nas X’s hit video Old Town Road, Levi’s Use Your Vote, and Vince Staples music video Fun!.
July 10, 2019, 12:20 PM
http://www.btlnews.com/community/whos-where/light-...
Light Iron, a Panavision company, has announced that award-winning colorist Scott Klein is joining the company. As supervising colorist of numerous episodic series, Klein joins a roster of Light Iron artists located in both Los Angeles and New York who provide collaborative expertise on feature films, episodic series and music videos. Also joining Klein are […] The post Light Iron Enlists Industry Colorist Scott Klein appeared first on Below the Line.
July 3, 2019, 09:06 AM
https://www.broadcastbeat.com/filmlight-finishing-...
LONDON — 3 July, 2019: Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director Mati Diop won the Grand Prix for Atlantique (Atlantics), the ...
June 22, 2019, 05:05 AM
https://www.studiodaily.com/2019/06/qa-colorist-so...
It was a long time coming, but colorists finally got their own professional society in 2016, with the founding of the Colorist Society International. The CSI calls itself an “educational and cultural resource” for the industry, and invites professional colorists, DITs, telecine operators, restoration artists and color scientists to join. Launched at NAB 2016, the […] The post Q&A: Colorist Society International President Kevin Shaw on AI, HDR, Color Science and Cinematography appeared...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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