It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 23, 2021, 08:56 AM
https://postperspective.com/destin-daniel-cretton-...
By Iain Blair Director Destin Daniel Cretton is best known for his work on Just Mercy and The Glass Castle, emotionally powerful low-budget dramas that focused on characters and behavior, not spectacle and visual effects. So it was a big surprise to many when the indie director was tapped by Marvel to helm its VFX-heavy new tentpole Shang-Chi and the Legend of the Ten Rings, Continue reading → September 22, 2021 The post Destin Daniel Cretton Talks VFX and Directing Marvel’s Shang-Chi...
September 23, 2021, 08:52 AM
https://www.themill.com/newsfeed/the-mill-secures-...
The Kinsale Shark Awards is a festival annually held in the beautiful fishing village of Kinsale, Ireland that strives to reward creative thinking and the best work in Advertising, Digital, Design, Short Films & Music Videos.
September 14, 2021, 08:58 AM
https://www.awn.com/news/vfx-legion-creates-blazin...
Studio delivers 100+ visual effects shots, including a series of key raging fires, for Rodo Sayagues’ action-packed sequel to the 2016 thriller, ‘Don’t Breathe.’
September 14, 2021, 08:57 AM
https://www.awn.com/news/mikros-vfx-joins-mpc-epis...
Strategic alliance with French visual effects house bolsters MPC’s global market presence, increasing the company’s international reach; the studio will continue to offer pre-production and VFX services for the French features and episodic industry.
September 14, 2021, 08:57 AM
https://www.broadcastbeat.com/hibino-vfx-studio-us...
Fremont, California – September 13, 2021 – Blackmagic Design today announced that Hibino Corporation installed a Blackmagic 12G and optical fiber workflow, including Blackmagic URSA Mini Pro 4.6K G2 and ATEM Television Studio 4K, for their new virtual production studio, Hibino VFX Studio. The new studio features one of the first in camera virtual production services in Japan.
September 13, 2021, 08:41 AM
https://variety.com/2021/film/global/dune-no-time-...
Visual effects and animation studio DNEG, whose credits include “Dune” and “No Time to Die,” will pay enhanced overtime to its U.K. employees.
September 10, 2021, 08:51 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Visual effects houses MPC and Mikros have formed an alliance of their episodic and film divisions. Mikros, a French company, with over 35 years in the visual effects industry, has been a Technicolor brand since 2015. The move integrates Mikros’ episodic and film division with MPC Episodic. The combined studios will operate under the MPC Episodic (https://www.mpcepisodic.com) brand, which has an existing presence in Berlin, London, Los Angeles and Bangalore. They will continue to off...
September 9, 2021, 08:42 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES – VFX and virtual production studio Pixomondo (PXO) is launching a new London division this month, and has appointed Alex Webster as its head of studio. Most recently the managing director of Framestore Pre-Production Services in London, Webster will focus on facilitating the growth of Pixomondo’s (pixomondo.com) virtual production (‘VP’) services in Europe, working closely with the company’s wider management team.
August 31, 2021, 08:51 AM
https://www.awn.com/vfxworld/ilms-vfx-help-marvel-...
The storied visual effects studio delivers 800 shots, tackling the high-octane opening small plane escape scenes, a Budapest shoot-out and car chase across the city, and the widows fight in villain Dreykov’s flying HQ, in Marvel Studios’ most recent MCU action-thriller.
August 31, 2021, 08:49 AM
https://deadline.com/2021/08/dune-dneg-hires-promo...
Previously serving as Managing Director, Jacomb helped launch the Feature Animation division at DNEG in 2014. Based in London, he has guided the growth of the team to more than 500 employees across DNEG’s animation studios in London, Los Angeles, Montréal and Mumbai.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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