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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Using Redshift Ramps for More than Color

May 7, 2020, 05:09 PM

https://lesterbanks.com/2020/05/using-redshift-ram...

Joe Lawrence shows off the power of Redshift Ramps for more than just color. One of the benefits of working with a node-based system is that you can employ compartmentalized nodes for more than one

Changing Colors in your Footage inside of Premiere

February 14, 2020, 01:39 PM

https://www.rocketstock.com/blog/change-colors-pre...

Whether you are trying to change a color scheme on a stock clip to match a company’s branding or you’d just simply like a different color on an actor’s outfit, knowing how to change colors within your footage is a very important tool for correcting footage.

How to Fix Baked-In White Balance Issues

March 20, 2019, 06:25 AM

https://noamkroll.com/video-tutorial-how-to-fix-ba...

Filmmakers, editors and budding colorists often ask me some variation of : How do I fix white balance issues in post? Or – What’s the best method for fixing color temperature?

Resolve Tutorial - Working with Windows

February 14, 2019, 06:22 PM

https://doddlenews.com/davinci-resolve-tutorial-pa...

In our last lesson, in our look at learning DaVinci Resolve, we talked about working with Curves, and how you can use them to independently adjust the highlights, midtones and shadows of your YRBG levels. In this lesson, I want to move on and talk about Windows, or masks, as they are more commonly referred to.

Color Grading Tips: The Ins and Outs of Correcting

October 23, 2018, 04:35 AM

https://www.premiumbeat.com/blog/color-correcting-...

A pink sky has become a predominant feature in many music videos. Is it a symbol of teenage freedom, late evening adventures, innocence of youth? I’m sure there are experts out there who could spend hours decoding the meaning and popularity behind the rise of pink skies in rap and alternative music videos. But perhaps it just comes down to Instagram influencers. Who knows?

AE Project Diary: 6) Xian part 2. Color Grading

June 9, 2018, 09:12 AM

https://www.provideocoalition.com/ae-project-diary...

This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of th...

TUTORIAL: HDR con DaVinci Resolve y UltraStudio 4K

March 23, 2018, 03:15 AM

http://www.finalcutpro.es/2018/03/tutorial-hdr-con...

Primavera de 2018. Se habla tanto del HDR (High Dynamic Range) que ya es imposible seguir manteniendo que es una moda pasajera y es el momento -sí aún no lo has hecho- de subirse al carro. Aunque alguien pueda pensar lo contrario, esta es una tecnología que, a nivel de producción, está al alcance de [...] La entrada TUTORIAL: HDR con DaVinci Resolve y UltraStudio 4K Extreme 3 se publicó primero en finalcutpro.es.

How To Get The Stranger Things Look — Video Tuto

January 31, 2018, 10:17 AM

https://www.premiumbeat.com/blog/stranger-things-l...

Avery Peck's YouTube series of DaVinci Resolve color grading tutorials are just what you need to master this elusive post-production process.

Color Marker 3 Adds New Method for Wireframe Color

January 17, 2018, 12:40 PM

http://lesterbanks.com/2018/01/color-marker-3-adds...

Klaudio Ladavac Releases Color Marker 3 Outliner and Viewport Management Script That Adds New Options and Features on its Predecessor Klaudio Ladavac’s Color Marker is a small manager that lets you control outliner and viewport The Post Color Marker 3 Adds New Method for Wireframe Color originally appeared and published on %%BLOGLINK%,by lesterbanks

Hue & Saturation Curves in FCPX

January 16, 2018, 10:24 AM

https://www.aotg.com/hue-saturation-curves-in-fcpx/

This is excerpt from this week’s Larry Jordan webinar, #242 on Color Correcting in Final Cut Pro X 10.4. In this short video excerpt, Larry Jordan shows how to use the new Hue/Saturation Curves to change colors of elements within the frame.

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