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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Create Custom LUTs for Adobe Premiere Pro CC using

July 28, 2019, 04:28 AM

https://www.youtube.com/watch?v=3FuGhbInKp8

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs (color Look-...

Sitting Reverb In Mixes

July 27, 2019, 07:03 AM

https://www.pro-tools-expert.com/home-page/2019/07...

Time based effects can sound great “filling in the gaps” between notes but the more you use, the mushier and more distant things sound. You can of course automate them but effects like the AIR Dynamic Delay offer a different way to keep the effect out of the way while letting it come up in level to fill those gaps.

Illustrating Color Space and LUTs for Video

July 27, 2019, 07:02 AM

https://www.youtube.com/watch?v=w-QsGkGnXuw

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and...

Have Audio Drive Animation Using a CHOP Network

July 26, 2019, 12:19 PM

https://lesterbanks.com/2019/07/have-audio-drive-a...

Zeus VFX shows how you can have audio drive animation with a CHOP network in Houdini. CHOPs in Houdini represents nodes for manipulating time-based channel data like animation curves or audio. CHOPs include things like

Check Out What’s New in UV Toolkit 1.3

July 26, 2019, 12:19 PM

https://lesterbanks.com/2019/07/check-out-whats-ne...

Erik Lehmann’s UV Toolkit adds some workflow enhancements and features. More often than not, you are taking chances when using small developer third-party tools. While some are incredibly useful, most small developers are not ready

How to Create This Great Looking Map Scroll Animat

July 25, 2019, 12:12 PM

https://lesterbanks.com/2019/07/how-to-create-this...

FlowTuts shows how to make a map scroll animation in After Effects with shape layers and a few tricks. It’s always amazing to see what is possible in After Effects when using shape layers. Vector

Use the Inheritance Effector to Create a Particle

July 25, 2019, 12:11 PM

https://lesterbanks.com/2019/07/use-the-inheritanc...

Darkins Digital shows how to create a mograph particle transition effect using the Inheritance Effector in C4D. Publishing the good works of Mograph in Cinema 4D, Darkins Digital shows how you can create a mograph

Quad Remesher, a New Auto Retopo Tool for Maya Loo

July 25, 2019, 09:07 AM

https://lesterbanks.com/2019/07/quad-remesher-a-ne...

Exoside releases Quad Remesher for Maya, Max, and Modo. With specific workflows, retopology becomes extremely important, yet it is pretty time consuming when you deal with a lot of objects in a scene. There are

LUT Mixer for FCP X, Premiere Pro and After Effect

July 25, 2019, 09:06 AM

https://fxfactory.com/blog/after-effects/lut-mixer...

Combine and apply multiple LUTs with automatic skin tone protection and no loss in quality.

Create a Realtime Emission Shader for Eevee

July 24, 2019, 12:13 PM

https://lesterbanks.com/2019/07/create-a-realtime-...

Nathan Duck shows how to make a neat-looking stylized emission shader in Blender 2.8 There are a lot of new features packed into Blender 2.8, and one of them, Eevee offers users a real-time viewport

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