It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2018, 09:47 AM
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Danny Mac Shows How You Can Change Lighting On Zbrush Renders Using the Object Space Normal Pass Danny Mac showed off his technique for getting renders out of Zbrush and into Adobe Photoshop, which primarily
March 9, 2018, 04:39 AM
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Academic Phoenix Plus Walks Through Creating Tangled Vines in Maya Using Extrusions and Maps Monica from Academic Phoenix Plus covers creating tangled vines in Maya from start to finish. It begins by manually creating the
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Mix Training Offers Some Insights Into Creating and Rendering Custom Redshift AOVs If you are using Redshift version 2.5.51, you can create AOV outputs. With Houdini, there are a couple of ways that you can
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Mograph Plus Helps You Learn Corona for C4D in a Little More than an Hour Kamel Khezri explores working with Corona for Cinema 4D. If you have ever wanted an excellent overview to help you
March 7, 2018, 10:15 AM
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Rigging Dojo’s Brad Clark Shows How to Make Insivible Selection Hot-Spots For Your Rigs Rigging friendly controls for animators always seems to be an ongoing endeavor. The most common type of control is a wire-based
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Animator Troy Picou Shares Some Tips for Lighting Animated Moho Characters in After Effects Animator/Moho Trainer Troy Picou covers moving Moho characters and animation over to After Effects for compositing and lighting effects. Moho is
March 6, 2018, 10:37 AM
http://lesterbanks.com/2018/03/create-displacement...
Life Effects’ David Kahl Shows a Quick Way to Setup Displacement Using Random Objects in Side FX Houdini David Kahl shares a quick technique for creating displacements with any random objects and using VEX. The
March 5, 2018, 08:59 AM
http://lesterbanks.com/2018/03/create-dynamic-line...
Owen Chikazawa Shows How yo Control Maks and Shape Points in After Effects to Create a Dynamic Line Graph Effect Motion Designer Owen Chikazawa teams up with Motion Array to deliver more excellent tutorial content.
March 4, 2018, 07:35 AM
http://lesterbanks.com/2018/03/quickly-place-label...
Maxon’s Jonas Pilz Shows How to Place Labels on Anything Without Having to Ever Unwrap UVs When you work in 3D, eventually you will need to place labels on something. Even though there are many
March 3, 2018, 02:02 PM
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Speed Up Your Type Workflow by Making Modular Text Systems for Your Projects in After Effects Workbench’s Joe Clay has a look at creating modular text systems in After Effects, building upon his Liquid Write-On
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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