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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Output Depth AOV from Maya Redshift

October 24, 2017, 12:15 PM

http://lesterbanks.com/2017/10/output-depth-aov-ma...

Redshift’s Adrian Cruceru Give an In-Depth Look at Working With the Depth AOV in Redshift Maya and Nuke Adrian Cruceru is Redshift Rendering Technologies’ Technical Support Specialist. Watch this 24 minute tutorial that covers how The Post How to Output Depth AOV from Maya Redshift originally appeared and published on %%BLOGLINK%,by lesterbanks

RenderMan 21.5 : utiliser l'Image Tool sous Maya

October 24, 2017, 05:17 AM

http://www.3dvf.com/actualite-21666-renderman-21-5...

Pixar presents on video how to use the RenderMan 21.5 Image Tool (It), under Maya.

An Overview of Triplanar Mapping with Octane

October 23, 2017, 09:41 AM

http://lesterbanks.com/2017/10/overview-triplanar-...

Silverwing’s Raphael Rau Offers a Nice Overview for Working With TriPlanar Mapping With Octane Render in Cinema 4D There are ways to work with textures and not have to worry so much about the model’s The Post An Overview of Triplanar Mapping with Octane originally appeared and published on %%BLOGLINK%,by lesterbanks

Easily Reposition Animated Masks With This Ae Expr

October 20, 2017, 12:47 PM

http://lesterbanks.com/2017/10/reposition-animated...

Mikey Borup Shows Another Use for the New After Effects Point Access, Using an Expression to Reposition Keyframed Masks Easily The newest version of After Effects bestowed a long-awaited and highly sought after feature: The The Post Easily Reposition Animated Masks With This Ae Expression originally appeared and published on %%BLOGLINK%,by lesterbanks

Working With Python Scripts With MASH

October 20, 2017, 09:14 AM

http://lesterbanks.com/2017/10/working-python-scri...

Maximilian Schönherr Helps Get You Started With Using Python to Control Aspects of Maya’s MASH Motion Graphics Toolkit CG Artist Maximilian Schönherr continues his series that help get you started with MASH, Maya’s Motion Graphics The Post Working With Python Scripts With MASH originally appeared and published on %%BLOGLINK%,by lesterbanks

ToolChefs’ Release Atoms Crowd, an Easy Crowd Si

October 20, 2017, 09:13 AM

http://lesterbanks.com/2017/10/atoms-crowd-easy-cr...

Atoms Crowd Lets Anyone Create Complex Crowd Simulation With Maya or Side FX Houdini The ToolChefs release Atoms Crowd, a new framework designed for crowd simulations for the visual effects and animation industries. Atoms is The Post ToolChefs’ Release Atoms Crowd, an Easy Crowd Simulation Tool originally appeared and published on %%BLOGLINK%,by lesterbanks

Model and Animate a Tiny Forklift With Cinema 4D

October 19, 2017, 04:39 PM

http://lesterbanks.com/2017/10/model-animate-tiny-...

Eli Prenten Demo’s Modeling and Animating a Little Forklift Truck in Cinema 4D Covering Some Fundamental Modeling and Rendering Techniques Mobox’s Eli Prenten offers an in-depth look at creating a short animation of a forklift The Post Model and Animate a Tiny Forklift With Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks

Change Text Layers by Renaming a Composition in Ae

October 17, 2017, 12:40 PM

http://lesterbanks.com/2017/10/change-text-layers-...

Ukramedia’s Sergei Prokhnevskiy Shows a Tick That Will Have You Replacing Text Layer Names With Composition Names in After Effects Have a lot of labels, lower thirds, or any other type versioning to do in The Post Change Text Layers by Renaming a Composition in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks

Compositing With Cryptomatte in Nuke and Fusion

October 17, 2017, 10:23 AM

http://lesterbanks.com/2017/10/compositing-cryptom...

The Chaos Group Looks at the Power Gained in Compositing by Using the Output From V-Ray Maya Cryptomatte Render Element The Chaos Group posts a look at using Cryptomatte in a compositing workflow, making it The Post Compositing With Cryptomatte in Nuke and Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks

Battle Axe Preps Ultimate Bridge Between Illustrat

October 17, 2017, 10:23 AM

http://lesterbanks.com/2017/10/battle-axe-preps-ai...

Battle Axe is Set to Release an After Effects Tool That Gives You Ultimate Control Over Bringing Selected Layers from Illustrator Battle Axe Co.’s Adam Plouff teases a new After Effects gizmo that he is The Post Battle Axe Preps Ultimate Bridge Between Illustrator & After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

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