It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 7, 2018, 10:15 AM
http://lesterbanks.com/2018/03/create-invisible-se...
Rigging Dojo’s Brad Clark Shows How to Make Insivible Selection Hot-Spots For Your Rigs Rigging friendly controls for animators always seems to be an ongoing endeavor. The most common type of control is a wire-based
March 6, 2018, 02:08 PM
http://lesterbanks.com/2018/03/compositing-lightin...
Animator Troy Picou Shares Some Tips for Lighting Animated Moho Characters in After Effects Animator/Moho Trainer Troy Picou covers moving Moho characters and animation over to After Effects for compositing and lighting effects. Moho is
March 5, 2018, 08:59 AM
http://lesterbanks.com/2018/03/create-dynamic-line...
Owen Chikazawa Shows How yo Control Maks and Shape Points in After Effects to Create a Dynamic Line Graph Effect Motion Designer Owen Chikazawa teams up with Motion Array to deliver more excellent tutorial content.
February 28, 2018, 01:40 PM
https://nofilmschool.com/2018/02/premiere-pro-prof...
Filmmaking is thought of primarily as a visual medium, but sound and audio play a pivotal role in truly bringing those visuals to life. If you're an editor, you most likely understand the frustrations of trying to work with both of these components simultaneously in a way that is not only efficient but effective at giving you more room to create. Adobe addresses this in a big way by integrating the powerful controls of Audition, its flagship digital audio workstation, right into Premiere Pro wit...
February 27, 2018, 10:30 AM
https://www.aotg.com/apple-motion-5-4-repel-objects-and-particles/
Motion has, hidden inside it, a very capable particle system, along with a variety of simulators, which allow us to create a cloud of graphic objects and move them in interesting ways. Movement that can’t be done using standard keyframes.
February 27, 2018, 10:30 AM
https://www.aotg.com/apple-motion-5-4-gravity-and-edge-collision/
Motion has, hidden inside it, a very capable particle system, along with a variety of simulators, which allow us to create a cloud of graphic objects and move them in interesting ways. Movement that can’t be done using standard keyframes.
February 27, 2018, 06:49 AM
https://www.pro-tools-expert.com/home-page/2018/2/...
Community member Trond Nedberg sent in a question, which we touched on in Podcast 307 and promised to explore in a separate article. Trond asked about how the linking in Pro Tools actually works when using multi-mono instances of plug-ins especially with regard to plug-ins with side-chains as it appears that Avid is using parameter linking rather than side-chain linking. Over to you Trond...
February 26, 2018, 12:57 PM
http://lesterbanks.com/2018/02/snap-whole-pixels-e...
Creating Pixel Art Animation in After Effects? Learn How to Snap to Whole Pixels to Eliminate Antialiasing Chris Silich shares a handy expression for After Effects that can automatically snap things to whole pixels. Trying
February 19, 2018, 06:31 PM
https://www.toolfarm.com/blog/entry/toolfarm_plug_...
Boris Continuum BCC Reframer makes vertical video look great quickly and easily, with loads of customization options. It’s is included with Boris Continuum 11 and the Continuum Restoration Unit. This is a quick walkthrough on how it works.
February 17, 2018, 05:04 PM
http://lesterbanks.com/2018/02/layer-shader-opacit...
Maxon’s Jonas Pilz Shares a Quick Tip That Shows How You Can Animate Layer’s Opacities Separately in the Layer Shader Sometimes you might want to animate the opacities for single layers within Cinema 4D’s Layer
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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