It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 26, 2015, 12:15 PM
http://lesterbanks.com/2015/03/using-the-new-houdi...
Using the Houdini 14 crowd path tools for directing crowd simulations easily around your scene.
March 26, 2015, 04:49 AM
http://cgi.tutsplus.com/tutorials/mapping-dem-data...
In the first part of Mapping USGS DEM Data I created a 3D contour map and animated a route along the side of the mountain using mograph and After Effects. In this tutorial I’ll show you how to use the same DEM data to create a realistic mountain scene. The scene will use just a hand full of textures along with the terrain mask to give a great final look.
March 25, 2015, 12:44 PM
http://lesterbanks.com/2015/03/working-with-cloner...
create effects in Cinema 4D by combining Cloners and Effectors together
March 24, 2015, 12:25 PM
http://lesterbanks.com/2015/03/model-rig-and-anima...
how to model, rig and animate a 3D folding fan in Cinema 4D using MoGraph, Xpresso building and breaking of IK Chains, and binding.
March 24, 2015, 12:24 PM
https://www.aotg.com/softimage-to-maya-bridge/
This video show you how to create hierarchies and groups in Maya, and explains the differences between these features in Softimage and Maya.
March 24, 2015, 09:53 AM
http://lesterbanks.com/2015/03/recreating-the-dori...
A straight forward and easy approach to creating the dorito setup in Autodesk Maya, where the deformer controls can sit on top of the initial deformations.
March 24, 2015, 09:52 AM
http://lesterbanks.com/2015/03/transform-3d-type-t...
Create an effect with Cinema 4D where 3D type turns to smoke using the TurbulenceFD plugin
March 23, 2015, 09:22 AM
http://www.premiumbeat.com/blog/cinema-4d-tutorial...
Learn how to create trendy responsive long shadows in this Cinema 4D video tutorial. The post Cinema 4D Tutorial: How to Create Long Shadows appeared first on The Beat: A Blog by PremiumBeat.
March 23, 2015, 09:22 AM
http://lesterbanks.com/2015/03/create-a-belt-drive...
Model and animate a belt drive system in Cinema 4D using Xpresso to help out.
March 22, 2015, 05:34 AM
https://www.aotg.com/maya-tutorial-hotbox-and-marking-menus-overview/
In this quick introduction to Maya's Context Sensitive Menu or HOTBOX and the Marking Menus, we'll examine some differences between the marking menus and the hotbox. We'll look at how to access both, how interactive they both can be and how to create our own custom marking menu with just a few clicks of the button.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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