It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 16, 2017, 06:23 AM
https://library.creativecow.net/gleissenberger_tob...
Join VFX guru Tobias Gleissenberger for a fun, high-energy look at how to create all sorts of digital noise, glitch, and other disturbing video effects with any version of Adobe After Effects, without using any plug-ins!
October 11, 2017, 11:55 AM
https://photography.tutsplus.com/tutorials/10-top-...
It's impossible to learn every skill you need as a creative. Animation in Adobe After Effects is one of those skills that comes with a steep learning curve.
October 6, 2017, 09:18 AM
http://lesterbanks.com/2017/10/motion-graphics-ele...
CG Artist Vito LaManna Covers Creating an Established After Effects Motion Graphics Element With Fusion Recreating an effect from one package to another is great way to learn. It is also a great way to The Post Recreating an After Effects Motion Graphics Element in Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks
October 2, 2017, 11:49 AM
http://lesterbanks.com/2017/10/ae-can-finally-anim...
Wayfinder from Paul Conigliaro Lets After Effects Users Attach Elements to a Live Path If you’ve ever wanted a great example of how inept After Effects is with certain tasks, here is a good one. The Post Now After Effects Users Can Finally Animate Objects on a Path originally appeared and published on %%BLOGLINK%,by lesterbanks
September 25, 2017, 09:30 AM
What if the the editing workflow that we were first taught was wrong? Here is a tutorial that breaks down an alternative way to organize your workflow.
#adobe#film editing#video editing#filmmaker#adobe premiereSeptember 24, 2017, 05:53 PM
http://nofilmschool.com/2017/09/how-create-isolate...
If you've spent any time in Adobe After Effects, chances are you've played around with the Echo effect, which basically just stacks frames from different times in the layer to create "streaking" or "ghosting." This produces some pretty cool looking images, but if you want it to affect something specific, you'll need to know how to isolate and apply it to a single part of your frame or a specific object.
September 18, 2017, 11:46 AM
http://lesterbanks.com/2017/09/level-subsurface-sc...
Silverwing’s Raphael Rau Provides a Detailed Overview for Working With Subsurface Scattering With Octane Render in Cinema 4D Octane was intended to bridge the gap between stunning renders and ease of use. For the most The Post Level Up With Subsurface Scattering in Octane originally appeared and published on %%BLOGLINK%,by lesterbanks
September 18, 2017, 11:45 AM
http://lesterbanks.com/2017/09/onion-skin-maya-vie...
CG Generalist Christoph Lendenfeld Shares a Lightweight Viewport 2 Extension for Easy and Flexible Onion Skin for Animators in Maya You are probably thinking that there are quite a few tools out there for Maya The Post New Onion Skin Tool for Maya Works as a Viewport Extension originally appeared and published on %%BLOGLINK%,by lesterbanks
September 15, 2017, 01:42 PM
https://www.aotg.com/final-cut-pro-x-audio-fundamentals-define-audio-t/
If you are new to video editing and struggling to understand how audio works or simply want to refresh your understanding of specific audio techniques, this session is for you.
September 15, 2017, 01:42 PM
https://www.aotg.com/final-cut-pro-x-audio-fundamentals-roles/
If you are new to video editing and struggling to understand how audio works or simply want to refresh your understanding of specific audio techniques, this session is for you.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.