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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hue & Saturation Curves in FCPX

January 16, 2018, 10:24 AM

https://www.aotg.com/hue-saturation-curves-in-fcpx/

This is excerpt from this week’s Larry Jordan webinar, #242 on Color Correcting in Final Cut Pro X 10.4. In this short video excerpt, Larry Jordan shows how to use the new Hue/Saturation Curves to change colors of elements within the frame.

KeyFraming Color Correction in FCPX

January 16, 2018, 10:24 AM

https://www.aotg.com/keyframing-color-correction-in-fcpx/

This is an excerpt from a recent on-line video webinar: “New Color Tools and Color Correction in FCP X 10.4” which is available as a download in our store, or as part of our Video Training Library.

Color Grading With Aqua And Brown Made Easy In Pho

January 12, 2018, 10:42 AM

https://fstoppers.com/education/color-grading-aqua...

When it comes to things like quickly learning new Photoshop techniques, I am a straight to the point type of guy. I don't necessarily want to (though I certainly do on occasion, depending on the topic) watch an hour long videos explaining the minutiae of every click of the mouse. While I appreciate production values and the personality that can be on display in a video, sometimes all you need to know can be learned from text overlay and elevator music. That's what we have on deck today, enjoy.

Scopes in Final Cut Pro X 10.4

January 9, 2018, 02:39 PM

https://www.aotg.com/scopes-in-final-cut-pro-x-10-4/

Join host, Larry Jordan, as he explores some of the major features, including: 360° VR, HDR & Color Profiles, HDR Libraries and Projects LUTs, The new Balance Color tool, An Overview of the Color Inspector & Color Tools, HEVC compression, And audience questions...

Balancing Color in Final Cut Pro X 10.4

January 9, 2018, 02:39 PM

https://www.aotg.com/balancing-color-in-final-cut-pro-x-10-4/

This is excerpt from this week’s Larry Jordan webinar, #241 on Balancing Color in Final Cut Pro X 10.4.

How to Quickly and Easily Color Grade Your Footage

January 3, 2018, 01:22 PM

https://fstoppers.com/education/how-quickly-and-ea...

Colors straight out of camera vary greatly between brands and sensors. Canon has been known for a long time for its great skin tone reproduction, while other manufacturers have created more troubles for colorists and retouchers to get perfect tones without a solid post-production workflow. In this tutorial, Chrystopher Rhodes from YCImaging shows how he uses 3D LUT Creator to get perfect colors out of his Panasonic GH5 and goes further by quickly demonstrating how you can color match your footag...

COLORED Fonts in Photoshop?!

December 30, 2017, 05:52 PM

https://www.youtube.com/watch?v=V0fvQG8RgDg

One of the lesser talked about features that stuck into a recent version of Photoshop is support for colored OpenType fonts. They're hard to find, but easy to install and use. Save 10% on your Squarespace purchase: http://squarespace.com/howardpinsky ColorTube font: http://www.neogrey.com/portfolio/colortube-font/ Additional colored fonts: https://colorfontweek.fontself.com/ Make sure to check out my other Photoshop tutorials. Links below! MORE FROM HOWARD PINSKY: Subscribe!...

How to Create Color-Coded Object IDs With Redshift

December 19, 2017, 12:11 PM

http://lesterbanks.com/2017/12/create-color-coded-...

Adrian Cruceru Shows How to Create Color-Coded Object IDs With Redshift in Autodesk Maya Have hundreds of objects in the scene? Need Object IDs rendered for them? Redshift Rendering Technologies’ Technical Support Specialist, Adrian Cruceru The Post How to Create Color-Coded Object IDs With Redshift originally appeared and published on %%BLOGLINK%,by lesterbanks

Should You Be Using False Color?

August 22, 2017, 05:19 AM

http://nofilmschool.com/2017/08/should-you-be-usin...

For many of you, the answer to the question posed in the title of this article is, "Of course, you fool. Use false color in every situation!" And I'm over here like, "Yeah, I get it, but..." Histograms, zebra overlays, and waveforms are definitely helpful exposure tools, and waveforms especially have done a great job at showing filmmakers where they have exposure. If you prefer any of these to monitor your luminance, fab! But because false color is powerful enough to show you the specific exposu...

Understanding the Link Between Color and Direction

July 9, 2017, 10:40 AM

http://lesterbanks.com/2017/07/understanding-link-...

We all have our favorite 3D applications. Each works and looks different from the next. There are some things that are similar though. Many of them will have similar methods to navigate the viewport, while The Post Understanding the Link Between Color and Direction in 3D originally appeared and published on %%BLOGLINK%,by lesterbanks

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