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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Creating Parallax in AE without 3D Camera

September 19, 2013, 01:48 PM

http://lesterbanks.com/2013/09/creating-parallax-i...

Using the After Effects Offset effect, Shawn Sheehan demonstrates how you can create a scrolling environment background that has an inherent paralleling effect without the use of the After Effects 3D Environment.

Methods for 2D Tracking in Nuke

September 19, 2013, 10:02 AM

http://lesterbanks.com/2013/09/methods-for-2d-trac...

Dave Scotland continues his Nuke in Production Series with a look at 2D Tracking techniques in Nuke, providing an overview for the tracker node, and applying tracked data to assets.

Nuke in Production Series - 2D Tracking

September 17, 2013, 10:29 AM

http://hub.tutsplus.com/tutorials/nuke-in-producti...

Nuke in Production Series - 2D Tracking by Dave Scotland. In this tutorial, we'll step through various methods for 2D tracking in Nuke. We will be taking a look at the "Tracker" node for 2D tracking and how to apply tracking data to assets using the match-move technique.

Creating Dynamic Floor Tiles in Cinema 4D

September 17, 2013, 04:32 AM

http://www.toolfarm.com/blog/entry/tutoria_creatin...

In this tutorial Ben Watts will teach you have to create some interesting and attractive light up floor tiles in Maxon Cinema 4D.

VFX Vlog 3 - Free Stock Footage Resources

September 15, 2013, 08:15 AM

http://www.surfacedstudio.com/blog/vfx-vlog-3-free...

What software do you use for film making and visual effects? Where can I find free stock footage for explosions and muzzle flashes? See the answers!

Tutorial: Cinema 4D to Realflow and Back

September 10, 2013, 02:08 PM

http://www.toolfarm.com/blog/entry/tutorial_cinema...

Learn how to get your Cinema 4D scene data into Next Limit RealFlow and back!

How to create artistic animated logos

September 10, 2013, 04:51 AM

http://wolfcrow.com/blog/excellent-tutorial-how-to...

Excellent tutorial: How to create artistic animated logos with Adobe After Effects...

Motion: Lesson 24 Preferences Part 2

September 10, 2013, 04:50 AM

http://library.creativecow.net/mcauliffe_kevin/App...

In part two of his look at Preferences, Kevin P McAuliffe breaks down some of the most important preferences like Autosave Vaults and even sub-frame keyframing to make sure that you have a good foundation to work at your most optimal pace.

Advanced AECC Techniques

September 6, 2013, 06:25 PM

http://library.creativecow.net/mcauliffe_kevin/AE_...

In this lesson, Kevin P McAuliffe breaks down how to create the cool lens filter effect that Michael Bay uses in almost all of his movies. Although in most cases this effect is created "in-camera", there are reasons you would want to do the effect in post. Once you see how to create this effect, it will become a "go-to" effect you can keep in your back pocket for those clients whose footage needs that extra boost!

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