To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Replace Watermarked Audio Tracks in Premier

February 3, 2016, 10:35 AM

http://www.premiumbeat.com/blog/watermarked-audio-...

Learn how to quickly and easily replace watermarked audio tracks with the real thing in Premiere Pro.

Retina iMac and Final Cut Pro X Put to the Test

February 3, 2016, 10:34 AM

http://www.videoguys.com/blog/retina-imac-and-fina...

The new iMac gets tested on a broadcasting job, in this article. With the addition of RAM, it proves to be a great video production workhorse. FCPX and the new Retina iMac: Another real broadcast job, real editing and real deadlines Peter Wiggens on FCP.co I recently took delivery of a new iMac 27-inch with Read More The post Retina iMac and Final Cut Pro X Put to the Test appeared first on Videoguys Blog.

Creating Bubble Advection Effect in Houdini

February 3, 2016, 10:34 AM

http://lesterbanks.com/2016/02/creating-bubble-adv...

Ben Watts takes a look into creating a great looking bubble advection effect in Houdini. The Post Creating Bubble Advection Effect in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

Pixar Celebrates 30 Years of Artistry and Entertai

February 3, 2016, 10:33 AM

http://www.pixarpost.com/2016/02/pixar-30-annivers...

Although Pixar's lineage dates back to the 1970's, it wasn't until Steve Jobs purchased the Lucasfilm Computer Graphics Division from George Lucas on February 3, 1986 that it officially became known as "Pixar". With less than 50 employees on hand after the official formation of the company, there were a surprising number of changes that would happen along the way to producing Toy Story — the groundbreaking film that would forever change the industry. From it's early roots as a hardware-based c...

Mixing Kick Drums using EQ, Distortion and Space D

February 3, 2016, 10:33 AM

http://logic-pro-expert.com/logic-pro-blog/2016/02...

Here’s the track Chris mixed for his friend Corey Placito. All the drums were arranged with Superior Drummer, guitars and synths are in-the-box emulations...

THE CHEMICAL BROTHERS WIDE OPEN

February 3, 2016, 10:33 AM

http://www.artofvfx.com/the-chemical-brothers-wide...

The Mill have just released the making of about their beautiful work for WIDE OPEN, a music video by THE CHEMICAL BROTHERS...

Pulling beauty from Restraint Part 2

February 3, 2016, 10:33 AM

http://linecheck.soundgirls.org/2016/02/03/pulling...

In Part 1 of this 2-part blog, I introduced my challenge of creating a modern sound design to fit a baroque opera staged in a 19th-century music hall, including my initial approach to the space and decisions about amplification. This part will cover creating the soundscape for the pre-show and prologue, speaker positions and the issue of levels.

VES Awards winners

February 3, 2016, 10:33 AM

http://www.goldderby.com/news/11625/visual-effects...

"Mad Max: Fury Road" may be the the clear frontrunner for Best Visual Effects at the Oscars but at Tuesday's Visual Effects Society Awards it was rival nominee "Star Wars: The Force Awakens," that dominated, winning four races. "Mad Max" did pick up one prize (effects simulation) at the 14th annual edition of these kudos, which took place at the Beverly Hilton.

Interview with the PremiereBro

February 3, 2016, 08:17 AM

http://www.commandeditpodcast.com/blog/hanging-out...

This episode we're chatting with the Premiere Bro (aka Sean Schools) who runs the similarly titled site www.premierebro.com which serves as a valuable resource for those Adobe editors out there. We talked about how he got hooked on Premiere, how he earned the moniker "Premiere Bro", how he balances work plus life (with a family) PLUS maintaining his online presence as an Adobe expert, as well as some other kind of invasive questions.

#adobe#premiere#film editing#post production#freelance#entrepreneur

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.