It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 2, 2016, 01:28 PM
http://postperspective.com/talking-assimilate-new-...
CEO Jeff Edson and VP of biz dev Lucas Wilson answer our questions By Randi Altman As you can tell from our recent Sundance coverage, postPerspective has a little crush on VR. While we know that today’s VR is young and creatives are still figuring out how it will be used — narrative storytelling, gaming, immersive concerts (looking at you Paul McCartney), job training, therapy, etc. — we cannot ignore how established film fests and trade shows are welcoming it, or the tools that are ...
February 2, 2016, 01:28 PM
http://www.studiodaily.com/2016/02/backstage-at-th...
As awards’ season rambles on, the intersection between reality and fantasy was among the themes front and center at the 66th annual ACE Eddie Awards Gala at the Beverly Hilton Hotel on January 29. The event, hosted by actor Adam … more » The post Backstage at the Eddie Awards appeared first on Studio Daily.
February 2, 2016, 01:28 PM
http://www.provideocoalition.com/the-fusion-of-the...
The way in which media & entertainment professionals approach their production environments has been evolving over the past few years. Many have discovered not only the limitations of the traditional broadcast setup, but also the alternatives that now exist. Those alternatives are the sorts of things that Imagine Communications and HP are working together to enable for content distributors, aggregators and broadcasters operating in all segments of the industry.
February 2, 2016, 10:23 AM
http://renderplease.com/post/138549400195
A few hours later:
February 2, 2016, 10:23 AM
http://www.btlnews.com/awards/contender-portfolios...
If the words “based on a true story” humbly appeared on the screen of director Denis Villeneuve’s Sicario you wouldn’t think twice about its integrity after watching it unfold. What makes it so believable is its standout narrative that’s anchored to the cold realities of the U.S.-Mexico drug war. The imagery from cinematographer Roger Deakins is impressive without being domineering. The sound track defines honesty and is dynamically laced to a complimentary score that keeps you won...
February 2, 2016, 10:23 AM
http://designingsound.org/2016/02/monthly-theme-au...
This month at Designing Sound, we are focusing our lens […]
February 2, 2016, 10:22 AM
http://www.tejbabra.com/2016/02/02/red-giant-trapc...
The last 2 posts we have been taking a look at Red Giant’s Trapcode Suite. Before We go further, If you would like to go back and catch up on the first two parts of this review, you can do so now. ( Part 1, Part2 ). If you have already read the first 2 […] The post Red Giant Trapcode Suite Review Part 3 appeared first on Tej Babra.
February 2, 2016, 10:22 AM
http://www.sundance.org/blogs/artist-spotlight/our...
Earlier this week, editor Kate Amend presented a keynote highlighting the role of an editor and her journey through the ranks of the industry during Sundance Institute and the Karen Schmeer Fellowship’s Art of Editing Brunch. Below we’ve published Amend’s speech in full.
February 2, 2016, 10:21 AM
http://cinefex.com/blog/award-winning-visual-effec...
The Oscars are just around the corner. The 14th Annual VES Awards will be presented later today. Among the memorable movies nominated for extraordinary achievements in visual effects this year are Ex Machina, Mad Max: Fury Road, The Martian, The Revenant, and Star Wars: The Force Awakens.
February 2, 2016, 06:52 AM
http://www.screeneditors.com.au/awards-2015/
The Australian Screen Editors Guild proudly congratulate the winners of the 2015 ASE Guild ‘Ellie’ Awards (winners in red) Feature Film Dany Cooper ASE, Holding the Man Ben Joss, Is This the Real World David Ngo, One Eyed Girl Nick Meyers ASE, Paper Planes Short Film Agnes Baginska, Milkmaid Danielle Boesenberg, The Aquarium Christine Cheung, Red Rover Graeme Pereira, Sweat Documentary […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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