It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2016, 10:35 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — The Artery VFX (http://thearteryvfx.com) has added veteran ad agency and commercial industry head of production Deborah Sullivan to its team in the role of executive producer and managing director. Most recently managing director and executive producer for NO6 and Peepshow Post, Sullivan has also led advertising production departments for DDB NY, FCB and others. She was a founding partner of independent agency Berlin Cameron and Partners. Her career also included executive produ...
June 8, 2016, 10:35 AM
http://alex4d.com/notes/item/fusion-8-new-vr-optio...
This week Blackmagic Design announced a new version of Fusion, their high-end compositing application. The good news for Avid Media Composer users is that Fusion version 8.1 works with with Fusion Connect 8.1: This software adds the Fusion Connect for Avid plug-in that is compatible with Avid edit systems, so you can send any clip or stack of clips from an Avid Media Composer timeline directly into Fusion or Fusion Studio. Now Avid editors can have access to Fusion’s powerful 3D compo...
June 8, 2016, 10:33 AM
http://cgi.tutsplus.com/tutorials/creating-fiery-l...
Creating Fiery Logo Reveal Animation in After Effects
June 8, 2016, 10:33 AM
http://www.artofvfx.com/allegiant-vfx-breakdown-bu...
BUF have just released the VFX breakdown about their work on ALLEGIANT...
June 8, 2016, 10:33 AM
http://www.cgchannel.com/2016/06/blackmagic-design...
Blackmagic Design has released Fusion 8.1, the latest update to its compositing software, adding Fusion Connect for Avid, its interoperability plugin for Media Composer, to the free and Mac versions of Fusion.
June 8, 2016, 04:27 AM
http://www.cartoonbrew.com/feature-film/tech-behin...
But two of the brashest—and possibly funniest—characters in the Turtles franchise, Bebop and Rocksteady, were brought to life with more of a combination of vfx techniques: on-set motion capture and video reference, additional mocap at ILM, and keyframe animation. Cartoon Brew finds out more from Out of the Shadows visual effects supervisor Pablo Helman.
June 8, 2016, 04:27 AM
http://www.awn.com/news/bottleship-vfx-taps-thinkb...
Digital destruction is Bottleship VFX’s sweet spot. From fiery explosions to churning waterfalls, the Bulgarian studio excels at crafting data-heavy VFX, including particle work and fluid simulations -- feats accomplished in part through Thinkbox Software tools.
June 6, 2016, 12:23 PM
http://news.doddleme.com/blogs/post-production/app...
In our last lesson (click here), in our look at Apple Motion 5, we continued our discusson on Behaviors, and I talked about how easy it was to create a very basic animation. With that being said, there is a big pitfall that you’ll run into, if you’re not familiar with how the HUD works with Behaviors in your timeline.
June 6, 2016, 09:25 AM
http://www.artofvfx.com/x-men-apocalypse-jerome-es...
Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA’HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.
June 6, 2016, 09:25 AM
http://www.cgmeetup.net/home/creating-secondary-de...
In this tutorial you can learn how to create secondary demolition using Interactive Demolition feature.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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