To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing for 3D on ALice in Wonderland

March 13, 2010, 11:59 AM

http://www.studiodaily.com/filmandvideo/currentiss...

Working in the editorial department on Alice in Wonderland, JC Bond was the point of first contact for principal photography, assembling scenes as quickly as director Tim Burton could shoot them. He was also the gatekeeper for the film's extensive visual-effects content, which he received and analyzed before it was cut into the movie. Working on a team led by film editor Chris Lebenzon, ACE, Bond made sure thousands of pieces of content fell into place as expected in the editorial pipeline...

Questions With Film Editor Bobbie O'Steen

March 12, 2010, 11:58 AM

http://writeononline.com/2010/03/12/author-qa-film...

Write On! speaks with film editor, screenwriter, and author Bobbie O’Steen—The Invisible Cut: How Editors Make Movie Magic. O’Steen discusses her book-writing process, the art of storytelling, the importance of following your passion, and more. O’Steen is a regular contributor to Moviemaker Magazine, MovieGeeksUnited, and EditFest LA and EditFest New York, and conducts ongoing events with well-known film editors with the intent of educating filmmakers and the film going public about...

Friends of Oscar: Top Editors of 09' Discuss Art

March 12, 2010, 11:57 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

On Saturday morning, March 6, the eve of the Oscars, the American Cinema Editors (ACE) held its tenth annual Invisible Art Visible/Artists Seminar with the Academy Award-nominated picture editors to a full house at the Egyptian Theatre in Hollywood.

Simple Motion Effects

March 12, 2010, 11:56 AM

http://blogs.nppa.org/editfoundry/2010/03/11/simpl...

A motion effect changes the size, shape, opacity, duration, position of your video, image, text or graphic in your projects. Motions effects are relatively easy in most Non-Linear Editors. I’m not going to discuss the how of motion effects. Instead I’m going to focus on why I did certain motion effects in this story. Our story for this post is We haven’t heard that word in forever on my YouTube site.

Shakespeare and Grocery Lists

March 12, 2010, 11:55 AM

http://editmentor.wordpress.com/2007/12/21/art-and...

I was trolling through the Avid L-2 list and saw the below thoughts from guanacaa58: "I think editing is directly analogous to writing. Here’s a couple of lines of writing that I consider art..."

Cutting Room Eps. 027 - Bobbie O'Steen Pt. 2

March 11, 2010, 12:52 PM

https://www.aotg.com/cutting-room-eps-027-bobbie-osteen-pt-2/

Here's part 2 of my interview with Bobbie O'Steen. Bobbie is an Emmy nominated editor and author of The Invisible Cut and Cut to the Chase. In this part we begin to discuss her second book, The invisible Cut To see her next interview/event check out her website at www.bobbieosteen.com

Avid Screencast - Tackling Timewarp PT 1

March 11, 2010, 11:54 AM

http://avidscreencast.com/2010/03/20-tackling-the-...

In this episode, we’ll deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the basics in this episode and the next. This week: Render types, keyframe interpolation and manipulating the Speed Graph.

Avatar Editors Interview

March 9, 2010, 11:53 AM

http://community.avid.com/blogs/theroughcut/archiv...

Recently, I had the chance to moderate a live chat with two members of the editorial department for Avatar. Not only is it the biggest box office hit of all time, it's also nominated in nine different categories in the Academy Awards.

Boris Continuum, Who Knew?

March 9, 2010, 11:53 AM

http://ace-filmeditors.blogspot.com/2010/03/boris-...

My Avid Media Composer software has for years come with the visual effects plug-ins from Boris FX, the suite called Boris Continuum Complete (BCC). Boris is a software plug-in for Media Composer (and other platforms such as After Effects).

ACE TECH BLOG Has Moved

March 9, 2010, 11:52 AM

http://ace-filmeditors.blogspot.com/

Update your RSS Readers and favorites bin. The Ace Tech Web Discussion Blog has moved.

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