It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2010, 11:51 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
MPEG Sends congrats to the Oscar Award winning editing team of Bob Murawski and Chris Innis.
March 9, 2010, 11:50 AM
http://www.philiphodgetts.com/2010/03/08/what-are-...
Final Cut Pro, like most software developed originally for OS 9, is build on a type of code called (for short) Carbon. The Carbon APIs (Application Programming Interface – the building blocks of code) allowed Final Cut Pro, Photoshop, Illustrator, Media Composer and thousands of other applications to make the transition for OS 9 to OS X "reasonably painlessly".
March 8, 2010, 11:50 AM
http://splicehere.wordpress.com/2010/03/08/one-ste...
Overlap cuts (split edits) are fundamental for any editor. Most people create them in a two-step process, making a straight cut first and then overlapping it using Trim Mode. But there’s a hidden, one-step way to do it.
March 8, 2010, 11:49 AM
http://www.joyoffilmediting.com/?p=2558
I was extremely pleased that The Hurt Locker won for both picture editing and sound editing and sound mixing too. This was a picture and sound editor’s movie if there ever was one and it previously won the A.C.E. Eddie award for best feature editing.
March 7, 2010, 11:47 AM
http://provideocoalition.com/index.php/ssimmons/st...
There’s a forum topic over at Reduser.net that I’ve been following for quite a while. It’s called new Jamfuze info new Jamfuze info and is a discussion about a Macintosh software product, written by a user, that works to process RED .R3D media into mfx files for direct importing into Avid Media Composer. That thread eventually moved into a discussion of a similar product that might include processing of Canon 7D (and I assume 5D, 1D, Rebel T2i) footage as well. What might become 7Dfuze was...
March 5, 2010, 11:46 AM
http://www.joyoffilmediting.com/?p=2552
This post continues five-part series on comedy editing and how I learned to cut comedy working with editor Dann Cahn on The New Leave it to Beaver series.
March 5, 2010, 11:45 AM
http://www.studiodaily.com/blog/?p=2782
Editors Adam Jenkins and Jeff Stevens launched FEEDTHEWALRUS last year as a collective of editors, producers and artists that feeds freelance talent to ad agencies and post studios as teams or individuals.
March 5, 2010, 11:44 AM
http://lfhd.net/2010/03/04/the-edit-bay-episode-23...
The twenty-third episode of THE EDIT BAY is now available for download. In this one I talk about how starting a new job always excites me.
March 4, 2010, 11:43 AM
http://avidscreencast.com/2010/03/19-red-workflow-...
This is the fifth of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll transcode Red’s R3Ds to Avid-native DNxHD MXF files using Redcine-X, a free transcoding, grading and editing utility by Red that is available for Mac and Windows. It’s free, it’s easy and it’s fast. So you better check this out.
March 4, 2010, 11:42 AM
http://lfhd.net/2010/03/04/fcp-avid-the-importance...
If you follow my Twitter feed, you will note that I landed a new job. This new job will be a History Channel two hour special, and I will be using an Avid Adrenaline (v2.7.7) to edit. Now, while I am a HUGE FCP advocate and known world wide as an FCP editor and expert...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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