To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Lightweight, Quad-Core ZBook Studio Leads HP Mobil

November 11, 2015, 11:30 AM

http://www.studiodaily.com/2015/11/hp-announces-ne...

HP's workstation line got revamped today with the announcement of a new lightweight HP ZBook Studio, new ZBook G3 mobile workstations, a new Z Turbo Drive, new IPS displays, and more. The news was led by the ZBook Studio, a 15.6-inch … more » The post Lightweight, Quad-Core ZBook Studio Leads HP Mobile Workstation News appeared first on Studio Daily.

Quick Chat: Rampant’s Sean Mullen on new mograph

November 11, 2015, 11:29 AM

http://postperspective.com/quick-chat-rampants-sea...

Rampant Design Tools who has been prolific about introducing new offerings and updates to its motion graphics products is at it again. This time with two new Style Effects volumes for motion graphic artists offer 1,500 new 2K, 4K and 5K effects. Rampant Motion Graphics for Editors v1 and v2, are QuickTime elements that users can drag and drop into the software of their choice; Rampant effects are not plug-ins and, therefore, not platform dependent. The newl...

Differences between Resolve and Premiere Pro

November 11, 2015, 11:29 AM

http://www.4kshooters.net/2015/11/11/5-essenital-d...

Besides being a leading colour-grading suit for many years, DaVinci Resolve 12 is now an extremely powerful fully fledged editing platform as well. Yet, as any other software, it also comes with its quirks and specifications. If you are currently used to the editing workflow in Premiere Pro CC, you will probably find that many of the editing tools in DaVinci Resolve behave a little bit different. As usual, you’ll need to spend some time before you can adapt to Resolve’s editing workflow and ...

The iPad Pro Review

November 11, 2015, 11:29 AM

http://daringfireball.net/2015/11/the_ipad_pro

First impressions last a lifetime, goes the adage. You’re going to have to forget your first impressions of the iPad to understand the iPad Pro.

Fake it Until You Make it – Or Not

November 11, 2015, 11:29 AM

http://linecheck.soundgirls.org/2015/11/11/fake-it...

I’ve recently seen some websites for sound professionals that made me cringe. Something didn’t add up, and some quick research showed exaggerated accomplishments, job titles, or experience level. There’s an industry saying that you should say yes to everything and then figure it out later (“fake it til you make it”), but when you only have one shot to make a first impression, is it worth the risk to inflate what you’ve actually done?

5 Real-Life Salary Negotiations

November 11, 2015, 11:29 AM

http://99u.com/articles/52075/5-real-life-salary-n...

If you didn’t negotiate your last salary or haven’t asked for a raise in awhile, you probably used one of these excuses...

Editing of ‘Sicario,’ David Lynch’s Poetic L

November 11, 2015, 04:54 AM

http://thefilmstage.com/news/haywire-video-essay-t...

‘Haywire’ Video Essay, the Editing of ‘Sicario,’ David Lynch’s Poetic Logic, and More

BARS – FESTIVAL INTERNACIONAL BUENOS AIRES ROJO

November 11, 2015, 04:54 AM

http://www.edaeditores.org/bars-festival-internaci...

EDA AUSPICIA PREMIO A MEJOR EDICION DE LARGOMETRAJE La Asociación Argentina de Editores Audiovisuales auspicia la entrega del premio a la película que el jurado oficial determine como la mejor editada entre los films argentinos pertenecientes a la Competencia Iberoamericana de Largometrajes. El premio consistirá en una suscripción de Adobe Creative Cloud por un año. […]

After Effects Hidden Gems Weekly: Wiggle Behaviors

November 11, 2015, 04:53 AM

http://www.provideocoalition.com/after-effects-hid...

One of the secrets to creating eye-catching motion graphics is to make sure everything keeps moving, instead of settling into a final pose. As soon as your frame becomes static, you risk the viewer changing channels or clicking through to another site. Sometimes we keep layers drifting past their “perfect” end pose; quite often, we use the wiggle expression to add automatic movement. Wiggle is also useful to add random or “human” motion to objects and cameras. What? You don’t do e...

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