To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

So What Do You Put In The Sequence

February 18, 2011, 04:04 PM

http://blogs.nppa.org/editfoundry/2011/02/18/so-wh...

This entry is about sequencing. You already know about sequencing? Bare with me. You might learn something even if you understand sequencing already.

Editors Angus Wall and Kirk Baxter and The Social

February 18, 2011, 02:41 PM

http://www.studiodaily.com/filmandvideo/currentiss...

The skeleton of every film is a screenplay, but few can boast as strong a bone structure as the one provided by screenwriter Aaron Sorkin for The Social Network, the fast-paced, fast-talking story of fast times behind the scenes of Facebook. Moving self-assuredly among a multiplicity of different settings — they include the Harvard campus where Mark Zuckerberg's ideas were born, the Henley Royal Regatta rowing event where Zuckerberg's classmates lose a race by a whisker, and the noisy...

Craig McKay Takes Short Cuts

February 18, 2011, 12:11 PM

http://www.moviemaker.com/editing/article/craig_mc...

American Cinema Editors (ACE) and Manhattan Edit Workshop had the inspired idea to create a series called Short Cuts in order to "get that EditFest feeling all year long." The intention in both cases was the same: To create a deeper understanding of the editor’s invisible art by having master film editors discuss and screen their work for film students, editors and enthusiasts. But instead of having panels of editors for an entire weekend, Short Cuts would focus on one esteemed editor and take...

The Five Stages of Editing: Denial, Anger, Bargain

February 18, 2011, 10:53 AM

http://guerillashowrunner.com/2011/02/the-five-sta...

Editing the series – let’s say three weeks? Nah, two week – Ok, Bob, one and a half weeks. That should be, like, 3 days to review all the footage, 2 days to do a rough assembly of the episodes, and maybe another 3 days to polish. No worries.

Cutting My Beautiful Game a SAFTA Nominee

February 18, 2011, 09:05 AM

http://www.cutaway.co.za/post/3357648711/cutting-m...

My Beautiful Game is a 13 part documentary series that explores African football within its broader historical, cultural and anthropological narratives. The show covers stories across the entire African continent. There is a kaleidoscope of geography, politics, and national characteristics as one traverses the continent from Cairo to Lagos to Cape Town.

Editors Glee Club

February 17, 2011, 12:59 PM

http://videography.com/articlefeatures/102642

Postproduction supervisor Ashley Contino of Ryan Murphy Television, the production company for Fox's phenomenally successful Glee, says the editorial teamwork behind the scenes is as elaborate as the on-screen choreography that has earned Glee such a fervent following.

An editor by any other name... Pt. 2

February 16, 2011, 07:51 PM

http://www.joyoffilmediting.com/?p=3448

Hope you enjoyed the quiz. Here is the answer key:

Cutting Room Podcast - Lauren's Render Files

February 16, 2011, 09:20 AM

https://www.aotg.com/cutting-room-podcast-laurens-render-files/

Lauren and I get to meet a lot of interesting people in our day to day life. Many outside the film editing world that play an important role in other communities. Lauren's render files has the two of us interviewing people in the film industry and discussing emails, tweets and messages from our listeners.

Angus Wall and Kirk Baxter Cut The Social Network

February 15, 2011, 11:59 AM

http://www.moviemaker.com/editing/article/angus_wa...

Angus Wall and Kirk Baxter are having a good year. Their work editing David Fincher’s The Social Network garnered them both Oscar and Eddie nominations. And the film itself, in addition to being a front-runner come Oscar night, was a success with both audiences and critics. That might seem like a hard thing to accomplish with a movie that, on the surface, is about the founding of a Website. But The Social Network is less about writing computer code and drafting business plans than it is about....

"Or once."

February 15, 2011, 09:12 AM

http://incontention.com/2011/02/14/or-once/

I can't let February the 14th pass without some acknowledgement on my part, so here it is: one of the coolest, warmest, hottest romantic exchanges I can think of in any movie. Scott Frank's writing is conversational poetry here, Anne V. Coates's editing shapes all the politics of lovemaking into a single scene, and George Clooney and Jennifer Lopez, both as beautiful and as human as they've ever been on screen, define chemistry. I love this scene. I love this movie. Happy Valentine's Day.

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